He had shaded his face with his hand, but turned to me as I spoke, a certain half-suppressed enthusiasm in his eyes.
“Be thankful for your first introduction to German music,” said he, “and that it was grand old Johann Sebastian Bach whom you heard. That is one of the soprano solos in the Passions-musik—that is music.”
There was more music. A tenor voice was singing a recitative now, and that exquisite accompaniment, with a sort of joyful solemnity, still continued. Every now and then, shrill, high, and clear, penetrated a chorus of boys’ voices. I, outer barbarian that I was, barely knew the name of Bach and his “Matthaus Passion,” so in the pauses my companion told me by snatches what it was about. There was not much of it. After a few solos and recitatives, they tried one or two of the choruses. I sat in silence, feeling a new world breaking in glory around me, till that tremendous chorus came; the organ notes swelled out, the tenor voice sung “Whom will ye that I give unto you?” and the answer came, crashing down in one tremendous clap, “Barrabam!” And such music was in the world, had been sung for years, and I had not heard it. Verily, there may be revelations and things new under the sun every day.
I had forgotten everything outside the cathedral—every person but the one at my side. It was he who roused first, looking at his watch and exclaiming.
“Herrgott! We must go to the station, Fräulein, if we wish to catch the train.”
And yet I did not think he seemed very eager to catch it, as we went through the busy streets in the warmth of the evening, for it was hot, as it sometimes is in pleasant April, before the withering east winds of the “merry month” have come to devastate the land and sweep sickly people off the face of the earth. We went slowly through the moving crowds to the station, into the wartesaal, where he left me while he went to take my ticket. I sat in the same corner of the same sofa as before, and to this day I could enumerate every object in that wartesaal.
It was after seven o’clock. The outside sky was still bright, but it was dusk in the waiting-room and under the shadow of the station. When “Eugen Courvoisier” came in again, I did not see his features so distinctly as lately in the cathedral. Again he sat down beside me, silently this time. I glanced at his face, and a strange, sharp, pungent thrill shot through me. The companion of a few hours—was he only that?
“Are you very tired?” he asked, gently, after a long pause. “I think the train will not be very long now.”
Even as he spoke, clang, clang, went the bell, and for the second time that day I went toward the train for Elberthal. This time no wrong turning, no mistake. Courvoisier put me into an empty compartment, and followed me, said something to a guard who went past, of which I could only distinguish the word allein; but as no one disturbed our privacy, I concluded that German railway guards, like English ones, are mortal.
After debating within myself for some time, I screwed up my courage and began: