Professor von Schroeder says even more precisely and emphatically: "In der Religion der Arischen Urzeit ist Alles auf Lebensbejahung gerichtet, Mann kann den Phallus als ihr Beherrschendes Symbol betrachten."[16] And in spite of the strong opposition to this cult manifested in Indian literature, beginning with the Rig-Veda, and ripening to fruition in the Upanishads, in spite of the rise of Buddhism, with its opposing dictum of renunciation, the 'Life-Cult' asserted its essential vitality against all opposition, and under modified forms represents the 'popular' religion of India to this day.
Each and all of the ritual dramas, reconstructed in the pages of Mysterium und Mimus bear, more or less distinctly, the stamp of their 'Fertility' origin,[17] while outside India the pages of Frazer and Mannhardt, and numerous other writers on Folk-lore and Ethnology, record the widespread, and persistent, survival of these rites, and their successful defiance of the spread of civilization.
It is to this special group of belief and practice that the Adonis (and more especially its Phrygian counterpart the Attis) worship belong, and even when transplanted to the more restrained and cultured environment of the Greek mainland, they still retained their primitive character. Farnell, in his Cults of the Greek States, refers to the worship of Adonis as "a ritual that the more austere State religion of Greece probably failed to purify, the saner minds, bred in a religious atmosphere that was, on the whole, genial, and temperate, revolted from the din of cymbals and drums, the meaningless ecstasies of sorrow and joy, that marked the new religion."[18]
It is, I submit, indispensable for the purposes of our investigation that the essential character and significance of the cults with which we are dealing should not be evaded or ignored, but faced, frankly admitted and held in mind during the progress of our enquiry.
Having now determined the general character of the ritual, what were the specific details?
The date of the feast seems to have varied in different countries; thus in Greece it was celebrated in the Spring, the moment of the birth of Vegetation; according to Saint Jerome, in Palestine the celebration fell in June, when plant life was in its first full luxuriance. In Cyprus, at the autumnal equinox, i.e., the beginning of the year in the Syro-Macedonian calendar, the death of Adonis falling on the 23rd of September, his resurrection on the 1st of October, the beginning of a New Year. This would seem to indicate that here Adonis was considered, as Vellay suggests, less as the god of Vegetation than as the superior and nameless Lord of Life (Adonis=Syriac Adôn, Lord), under whose protection the year was placed.[19] He is the Eniautos Daimon.
In the same way as the dates varied, so, also, did the order of the ritual; generally speaking the elaborate ceremonies of mourning for the dead god, and committing his effigy to the waves, preceded the joyous celebration of his resurrection, but in Alexandria the sequence was otherwise; the feast began with the solemn and joyous celebration of the nuptials of Adonis and Aphrodite, at the conclusion of which a Head, of papyrus, representing the god, was, with every show of mourning, committed to the waves, and borne within seven days by a current (always to be counted upon at that season of the year) to Byblos, where it was received and welcomed with popular rejoicing.[20] The duration of the feast varied from two days, as at Alexandria, to seven or eight.
Connected with the longer period of the feast were the so-called 'Gardens of Adonis,' baskets, or pans, planted with quick growing seeds, which speedily come to fruition, and as speedily wither. In the modern survivals of the cult three days form the general term for the flowering of these gardens.[21]
The most noticeable feature of the ritual was the prominence assigned to women; "ce sont les femmes qui le pleurent, et qui l'accompagnent à sa tombe. Elles sanglotent éperdument pendant les nuits,—c'est leur dieu plus que tout autre, et seules elles veulent pleurer sa mort, et chanter sa résurrection."[22]
Thus in the tenth century the festival received the Arabic name of
El-Bûgat, or 'The Festival of the Weeping Women.'[23]