The writer goes on to remark that when such a band of armed youths, all of the same age, always closely associated with each other, are represented as Dancers, and always as Dancers—"dann haben wir unabweislich das Bild eines Waffentanzes vor unseren Augen"—and Professor von Schroeder is undoubtedly right.
Constantly throughout the Rig-Veda the Maruts are referred to as Dancers, "gold-bedecked Dancers," "with songs of praise they danced round the spring," "When ye Maruts spear-armed dance, they (i.e., the Heavens) stream together like waves of water."[2]
And a special moment for the dance of these glorious youths "ever young brothers of whom none is elder, none younger"[3] is that of the ceremonial sacrifice, "sie tanzen auf ihren himmlischen Bahnen, sie springen und tanzen auch bei den Opferfesten der Menschen."[4]
The Maruts, as said above, were conceived of as the companions of
Indra, and helpers in his fight against his monstrous adversaries;
thus they were included in the sacrifices offered in honour of that
Deity.
One of the most striking of the ritual Dramas reconstructed by Professor von Schroeder is that which represents Indra as indignantly rejecting the claim of the Maruts to share in such a sacrifice; they had failed to support him in his conflict with the dragon, Vritra, when by his might he loosed the waters, 'neither to-day, nor to-morrow' will he accept a sacrifice of which they share the honour; it requires all the tact of the Offerer, Agastya, and of the leader of the Maruts to soothe the offended Deity.[5]
Here I would draw attention to the significant fact that the feat celebrated is that to which I have previously referred as the most famous of all the deeds attributed to Indra, the 'Freeing of the Waters,' and here the Maruts are associated with the god.
But they were also the objects of independent worship. They were specially honoured at the Câturmâsya, the feasts which heralded the commencement of the three seasons of four months each into which the Indian year was divided, a division corresponding respectively to the hot, the cool, and the wet, season. The advantages to be derived from the worship of the Maruts may be deduced from the following extracts from the Rig-Veda, which devotes more than thirty hymns to their praise. "The adorable Maruts, armed with bright lances, and cuirassed with golden breastplates, enjoy vigorous existence; may the cars of the quick-moving Maruts arrive for our good." "Bringers of rain and fertility, shedding water, augmenting food." "Givers of abundant food." "Your milchkine are never dry." "We invoke the food-laden chariots of the Maruts."[6] Nothing can be clearer than this; the Maruts are 'daimons' of fertility, the worship of whom will secure the necessary supply of the fruits of the earth.
The close association of the Maruts with Indra, the great Nature god, has led some scholars to regard them as personifications of a special manifestation of Nature, as Wind-gods. Professor von Schroeder points out that their father was the god Rudra, later known as Çiva, the god of departed souls, and of fruitfulness, i.e., a Chthonian deity, and suggests that the Maruts represent the "in Wind und Sturm dahinjagende Seelenschar."[7] He points out that the belief in a troop of departed souls is an integral part of Aryan tradition, and classifies such belief under four main headings.
1. Under the form of a spectral Hunt, the Wild Huntsman well known in European Folk-lore. He equates this with Dionysus Zagreus, and the Hunt of Artemis-Hekate.
2. That of a spectral Army, the souls of warriors slain in fight. The Northern Einherier belong to this class, and the many traditions of spectral combats, and ghostly battles, heard, but not seen.