"What is this picture?" she asked, pouting, but taking no farther notice of Belle's question.

In the second sketch a number of square and triangular bodies, with little, round heads, and long, sprawling legs and arms, were grouped together in the wildest confusion at the two ends of the picture, which extended the whole length of the sheet. In the middle was an object supposed to represent a carriage, the like whereof was never contrived by any coach-maker upon the face of the earth; while a horse, in the same condition as the pig before mentioned,—namely, with all his legs broken off,—lay upon the ground; his mate, looking much like a chair turned upside down, standing by, disconsolate. But the chief interest of the picture was intended to lie in the central figure, in which a small child, with very short skirts and very long limbs, was represented as dancing wildly about, with not rivers,—as in the case of the pig,—but cataracts of tears spouting from her eyes. Two circles, one within the other, stood for her head; the inner one, nearly as large as the outer, being her mouth, stretched to its utmost extent. And lest there should be any mistake as to the likeness, below this figure was printed in large, crooked letters,—

M A B U R L.

"That," said Belle, more sternly than before, "is a picture about another proverb that Maggie made up on purpose to be of use to you. The name of it is, 'All scamper away as fast as they can go from a spoiled child;' at least, that was what she meant. Here is the spoiled child, squealing and hollering; there is a poor horse that broke his leg; and here are all the people in the street running away from her. These four are policemen, and they were going to take her up; but even the policemen would not stand her, and ran away too. Even her mother 'came degusted at her at last, and left her; so she had not a single person left. And she had no one to give her something to eat, and no one to put her to bed; so she had to sleep in the gutter, and be starved, and in the morning she was dead, and all dirty out of the gutter."

"She wasn't either," said Mabel.

"She was too," contradicted Belle.

Mabel made a snatch at the picture, which Belle as quickly drew from her, so that between them it was torn in two; and Mabel at the same moment set up the shriek she always gave when she was displeased.

Mr. Powers and Mrs. Walton, their conversation thus suddenly brought to an end, turned hastily to see what was the matter.

It was a sorry sight that met their eyes. Belle stood looking at her cousin with a face which, to do her justice, was only intended as the expression of outraged and offended virtue; while Mabel, shrieking with passion, was frantically tearing to bits the half of the sheet she had secured.

"What is it, children? What are you quarrelling about now?" asked both the parents at once.