"Pard," answered Forty-nine, kindly, and with a nod of the head back toward the children playing in the corner, "they are not coppers; no, they are not. I tell you that girl is not copper, but gold. Yes she is, Pard; she is twenty carats."
"Twenty carats gold! Well, Twenty Carats, come here! Come here, Carats," called out the big head at the door.
The girl came forward, and a big hand fell down from the door-jamb on her bushy head of hair, and the man was pleased as he looked down into the uplifted face. And so he called her "Carats," and that became her name.
Other passing miners stopped to look in at the open door where the big head had looked and talked to the timid girl, and misunderstanding the name, they called her Carrie; and Carrie she was called ever afterwards.
But the boy who had been so thin, soon grew so fat and chubby that some one named him "Stumps." There was no good trying to get rid of that name. He looked as though his name ought to be Stumps, and Stumps it was, in spite of the persistent efforts of old Forty-nine to keep the name in use which he had given him. And this was all that Forty-nine or any one could tell of these two children.
And now, how beautiful Carrie had grown by the time the leaves turned brown! Often Dosson saw her hovering about the cabin of old Forty-nine, flitting through the woods with her brother, or walking leisurely with Logan on the hill down the dim old Indian trail.
Mother Nature has her golden wedding once a year, and all the world is invited. She has many gala days, too, besides, and she celebrates them with songs and dances of delight. In the full bosomed, teeming, jocund Spring, I have seen the trees lean together and rustle their leaves in whisperings of love. I have seen them reach their long strong arms to each other, and intertwine them as if in fond affection, as the bland, warm winds, coming up from the South, blew over them and warmed their hearts of oak—old trees, too, gnarled and knotted—old fellows that had bobbed their heads together through many and many a Spring; that had leaned their lofty and storm-stained tops together through many and many a Winter; that had stood, like mighty soldiers, shoulder to shoulder, in friendships knit through many centuries. The birds sing and flutter, fly in and out of the dark deep canopies of green, build nests, and make love in myriads. How the squirrels run and chatter and frisk, and fly from branch to branch, with their bushy tails tossing in the warm wind! Under foot, ten thousand tall strange flowers and weeds and long spindled grasses grow, and reach up and up, as if to try to touch the sunlight above the tops of the oak and ash and pine and fir and cedar and maple and cherry and sycamore and spruce and tamarack, and all these that grow in common confusion here and shut out the sun from the earth as perfectly as if all things dwelt forever in cloudland.
The cabin of old Forty-nine was very modest; it hid away in the canyon as if it did not wish to be seen at all. And it was right; for verily it was scarcely presentable. It was an old cabin, too, almost as old as little "Carats," if indeed any one could tell how old she was. But it, unlike herself, seemed to be growing tired and weary of the world. She had been growing up as it had been growing down. The moss was gathering all over the round, rough logs on the outside, and the weeds and wild vines each year grew still more ambitious to get quite to the top of the cabin, and peep down into the mysterious crater of a chimney that forever smoked in a mournful and monotonous sort of way, as if watchers were there—Vestal virgins, who dared not let their fires perish, on penalty of death.
"Drunken, wretched, cracked and crazy old Forty-nine," the camp said, "he can never build a new cabin, for he can't stay sober long enough to cut down a tree." And the camp told the ugly truth.
"Why don't Forty-nine build a new cabin?" asked Gar Dosson one day, as he passed that way, with a string of fish in his hand and a coon on his back.