Poi la Vittoria da quel canto stia,
Che vorra la divina providenza:
Il cavalier non havrà colpa alcuna,
Ma il tutto impulterassi à la fortuna.
Ariosto.
The following morning shone equally bright as the preceding, and the expectations of the public were equally sanguine. The same pomp and ceremony presided in the court; the same precision and gallant deportment was observable in the knights, the heralds, and all other persons connected with the sports.
As these, however, as far as concerned the tournament, were but a repetition of the antecedent day, and more to be enjoyed by being an active witness than a passive reader of them, we will not dwell on the subject further than to observe, that those of the castle sustained the challenge most gallantly. Although many were the fresh arrivals of adventurers who fearlessly advanced to engage the Mantenedor and his comrades, none were sufficiently accomplished to bear away the palm. Indeed, the incognito knight, the most redoubtable of all the combatants, either from fear of discovery, or from some secret injunction, had abstained from making a second appearance in the lists.
The signal was now given, and the heralds proclaimed that the games of valour and strength were ended, and those of skill about to commence.
An interval of two hours was employed in clearing the lists, and preparing the ground for the juego de la sortija,[9] which was peculiarly gratifying to the queen. This intermediate time was devoted by the assembled and motley crowd, to the rational, and provident purpose of a substantial repast.
A tall and slight pine tree, beautifully decorated with ribbons, was placed in the ground, and a gold ring of proportion suitable to the occasion, suspended on one of the projecting branches, under which the candidates were to pass at full career. The queen herself resolved to reward the victor with her own royal hand. Her portrait, superbly set in sparkling jewellery, and hanging on a ponderous gold chain of curious workmanship, was suspended by her side—a meet reward for the successful competitor. The nature of the guerdon, the quality of the bestower, and the circumstance that there was but one prize to be obtained, greatly stimulated the emulation of every knight to deserve an honor the more desirable from its admitting of no participation.
Chirimias, dulzainas,[10] and other musical instruments which are now grown obsolete, but which in those days were in high request, now filled the air with harmony, while the attention of the gay and motley concourse was arrested by the sudden arrival of heralds on horseback, gorgeously apparelled, and preceded by black slaves playing on the cymbals. These paraded the lists for a short time, and then retiring to their posts, gave way to beautiful pages, mounted on elegant palfreys, and attired in costly silken dresses of light blue, bedizened with ribbons, and bearing a turban of crimson velvet with white feathers. These pages carried before them the light and slender lances appropriated for the games, and having deposited them near the queen, they retired and took their stations opposite to the troop of heralds and black musicians.
The attention of the public was then simultaneously attracted to the four corners of the lists, from whence four quadrilles of equestrians proceeded, all vieing with each other in the richness of their dresses, the splendor of ornaments, and the gaiety of their bearing. These quadrilles were distinguished by the different colours which they wore, and out of each were selected three champions to dispute the prize. At the signal given, they started severally according to the order of precedence, which had been obtained by casting lots, and in the first course seven candidates passed their lances clearly through the ring, carrying it along in their headlong career.
The music sounded a flourish, and the seven competitors underwent another trial, in which only two were successful—young Garcilaso, and Antonio de Leyva. The contest was now to be divided by the two, and pink and green were the colours that contended for the victory; accordingly their quadrilles, as well as the spectators of both sexes who had adopted those colours, awaited the result of the contest, with anxious suspense. Garcilaso now made a graceful curvet, and spring at once with the celerity of an arrow, in the middle of his precipitous career he extended his lance with perfect ease and dexterity, and again carried away the ring. Don Antonio next advanced; and having indulged for a short space in several feats of horsemanship, he sped towards the honored tree on which was suspended victory or defeat. His horsemanship was so perfect that, excepting the feather on his head which streamed before the wind, all appeared like the figure of a centaur, flying meteor-like along the plain. His lance, however, missed the middle of the ring, and touching one of its edges, such was the rapidity of Don Antonio's motion that the ring sprung high in the air, when the dexterous cavalier, to the admiration of the surrounding multitude, turned short, and before the ring had time to fall, he caught it fairly with his lance. This extraordinary feat excited universal applause, and some even vociferated that Don Antonio was deservedly entitled to the prize. However, as Garcilaso had likewise succeeded in carrying away the ring, the candidates were obliged to refer to another trial, which was decided in favor of young de Leyva, who was immediately escorted by the triumphant party to receive the reward amidst the exhilarating strains of the music, and the acclamation of the vast concourse.
As soon as the victorious cavalcade arrived near the queen, Don Antonio and the chief of the quadrille vaulted nimbly from their horses, when the conqueror knelt at the feet of his gracious sovereign, who, with a condescending smile, threw the portrait round his neck.