"Yes," replied the friar, grimly, "yes, I did accompany him to the stage of his despair and my glory: yes, I was beside my victim, like the vulture watching for the moment to lacerate his heart. But I went not to whisper hope into his dying ear, or to bid him rely on the mercies of Heaven; no, it was to speak the words of horror; to bid him despair, and point the way to that hell whither soon I was to follow him. My soul was drunk with joy; my heart was wild with happiness: gladly would I purchase with a whole existence of misery and crime those few rapturous moments when I could watch the dreadful workings of his mind, as the last peal of my ominous voice rung in his ear, ere his soul took its flight from this world."
"Peace, wretch!" exclaimed the queen. "Leave thy blasphemy; tremble for the profanation of thy sacred calling; tremble for the punishment which awaits thy crime."
"I tremble at nought," sternly replied the assassin. "No canting friar am I; no preaching monk; but a man deeply wronged, and now amply revenged. Look on me," he continued in a wild tone, throwing off his disguise, "I am Bermudo, the renegade!"
Every one shrunk back with instinctive horror at the well known name; but the consternation increased, when in the person of the apostate was recognised the Moor who had played so principal a part in the condemnation of Gomez Arias.
"Look on me," proceeded the renegade; "look on me, Gomez Arias; behold the man by you condemned to misery and shame—I am Bermudo the outcast, the maddened lover of the unfortunate Anselma. Call back, Don Lope, the powers of thy fleeting soul, and fix its fading recollection on thy crimes and my misfortunes: remember Anselma—remember her frightful fate—your wrongs to me—the despair to which I was driven. But for thee, proud man, I might have been a hero, and for thee I am a traitor and a renegade. But, oh! now thou art laid low—no, not even princely fortune and favour could save thee from the hand of a desperate man. Die, then, die in despair: it is in the hour of rapturous happiness that the blow is struck, and think with agony that it is struck by Bermudo.—Anselma, thou art revenged!"
A wild and savage laugh closed this apostrophe, and the renegade stood calmly gazing on his victim with an expression of ferocious joy: his dark features seemed to brighten in the glare of infernal revenge, and his strong frame shook with the rapture of the fiend that inspired him.
Meantime, Gomez Arias was rapidly approaching his end; the blood flowed thick and heavy through his veins, and the film of death was fast dimming his sight: still his noble features shewed no symptoms of unmanly emotion; but fixing his dying eyes upon the renegade, in a firm tone he said—
"Bermudo, thy hellish desire is but partially fulfilled; I die not in despair; despair is the attribute of cowards, not of Gomez Arias: I feel thy poison burning in my veins, yet my soul takes its flight with calmness. Wretched man," he then added, "may God forgive thee as I do: and thou, dear and last object of my solicitude," he said, faintly addressing himself to the disconsolate Theodora, who, in a paroxysm of agony, was kneeling beside him, "Theodora, injured and unfortunate girl, too late I appreciate thy value; too late I deplore my fault. Oh! if I regret existence, it is because I cannot live to prove my love and gratitude. Forgive me, Theodora! forgive the repentant Gomez Arias!"
His dim eyes were cast tenderly on her despairing countenance, and pressing gently her clammy hand, he breathed his last.
The piercing cries and lamentations of Theodora deeply affected the spectators of this tragic scene: she tore her flowing tresses, and falling on the bleeding corpse, in a wild incoherent tone poured forth her anguish. The renegade himself appeared somewhat moved at the exhibition of her frantic sorrow. The darksome deed was done; his enemy was dead, and Bermudo seemed no longer to live in this world; stupor and apathy were overshadowing his countenance, for the principle that fed his life was now no more.