CHAPTER III.
Cada uno dellos mientes tiene al so,
Abrazan los escudos delant los corazones:
Abaxan las lauzas abueltas con los pendones;
Enclinaban las caras sobre los arzones:
Batien los cavallos con los espolones,
Tembrar quierie la tierra dod eran movedores.
Poema del Cid.
The morning arrived, and the entrances to the lists were thronged by the inhabitants of Granada and their visitors; all anxious to witness a display which it was expected would surpass in magnificence any thing of the kind they had ever seen. A large piece of ground, perfectly level and free from impediment, had been appropriately chosen without the walls of the city, for the exhibition of the games of strength, valour, and skill, and a temporary gallery had been constructed, extending on either side to the extremity of the lists. At the end nearest the city, was erected a temporary wooden fortress, painted in imitation of stone-work, curiously fabricated, covered over with canvas, and capable of containing a number of men-at-arms. On the front turret of this castle streamed a large banner, on which was emblazoned a red cross decorated with gold, being the arms of the order of Calatrava, of which the Mantenedor[3] was the grand master. Other smaller banners were placed around it, and they appertained to the four knights, who had volunteered to support the Mantenedor, and who, in conjunction with him, were bound to accept the challenge of all knights adventurers disposed to encounter them. On each side of the castle were two tents, before which were placed the pennon and shield of the knights to whom they belonged, and at the entrance stood a squire, ready to meet the demands of all comers.
Directly facing the castle, at the other extremity of the lists, was pitched a large and magnificent pavilion, ornamented with little pennons, and numberless armorial devices curiously interwoven with gold and silver thread on green silk brocade. Before it were artificially grouped swords, lances, shields, and every description of armour, emblematical of the intent to which the pavilion was appropriated, it being set apart for the use of those knights who were willing to enter the lists against the Mantenedor and his assistants. About the middle of the gallery on the right of the castle, a platform had been erected for the accommodation of the queen and her retinue. It was covered with scarlet cloth, and shaded by a rich canopy of purple brocade, on the top of which were seen the royal and united arms of Arragon and Castile shining in burnished gold. The whole of this platform was occupied by the maids of honour, and other principal ladies, as well as the noblemen and gentlemen of the court. In front of the place occupied by the queen, were stationed the umpires of the tournament, whose duty it was to decide the merits of the candidates, and award the prizes. Other places on either side of the throne were allotted to the various nobility and gentry of Granada, whilst the two extremities of this gallery and the whole of the other were assigned to the public, without any claim to precedence, but that of a priority of occupation.
And now the ponderous bells of the cathedral filled the air with their tolling; and immediately the bands of martial instruments within the lists, struck up a glorious and enlivening strain, in signal of the queen's approach.
At length she made her appearance, surrounded by a numerous suite, and heartily was she welcomed by the multitude, whose joy at the sight of their beloved sovereign was equal to the anticipated pleasure of the tournament.
Isabella was sumptuously attired in a rich dress of crimson velvet, ornamented with pearls. A delicate and costly scarf, of the finest lace, was attached to the back part of her head, and covered with its graceful folds her beautiful neck and shoulders. On this splendid scarf were wrought in gold thread, lions and castles, and other insignia of the arms of Spain. The queen wore likewise the crosses of the orders of Santiago and Calatrava, richly studded with diamonds and precious gems of immense value.
The lists now offered a most dazzling and noble spectacle. On one side was displayed all the splendour of the court, and the sparkling jewellery, the costly attire, and the waving plumes indicated the spot where the rank and beauty of Spain was assembled in all its glory and magnificence. Indeed towards this part of the lists the attention was more particularly directed, as in all courteous exhibitions of martial prowess, the interest is chiefly centered in those objects, to win whose smile lances are broken and helmets shivered.—Nor was the feeling of enthusiasm on beholding this scene lessened by the appearance of the opposite gallery, which, though more humble, nevertheless contributed, by the variety and gaiety of their costume, together with the cheerful animation expressed in their countenances, to the general effect of the picture. Then the proud display of all the panoplies of the court; the rich waving plumage of the crests; the lustre of the burnished shields and polished armour, together with the neighing of the spirited charger that caracolled the lists, and the warlike strains that at intervals floated on the air, powerfully tended to strike the imagination and inspire the heart to deeds of chivalry and arms.
A flourish of trumpets and clarions now indicated that the tournament was about to commence. In a few moments therefore the lists were cleared, with the exception of the heralds, who, gorgeously equipped in suits of crimson and gold, and attended by trumpeters, advanced to the four corners of the lists to proclaim the challenge. It was couched in the formula of chivalric language, which it would be superfluous here to transcribe. The meaning, however, was, that the Mantenedor and his supporters, Don Manuel Ponce de Leon, the Alcayde de los Donceles, Count Cifuentes, and Don Antonio de Leyva, invited all knights adventurers to break lances, if they were hardy enough to dispute their right to the lists. As soon as the challenge had been pronounced, the heralds retired to their posts; when the trumpets sounded again, the gates of the castle were thrown open, and the five challengers came forward.
Nothing could surpass the richness of their harness, the splendour of their armour, and the gallantry of their bearing. The grand master was attired in a costly suit of steel, the corslet of which was entirely burnished with silver, and the ornaments chased with the same precious metal. Over this he wore a short mantle of white velvet, which was the colour he had adopted. On his shield, upon a field argent, was portrayed the red cross of Calatrava, which he also bore on his breast, and which was surrounded with the following device—"Por esta y por mi Rey." [4]