When the negroes arrived and were ushered into the room by Mammy Lucy, they were so embarrassed and felt so much out of place they hardly knew what to do, or say, or how to begin. Aaron was carrying the Little Master in his arms, walking up and down, up and down, and his long strides and supple knees gave a swinging motion to his body that was infinitely soothing and restful to the Little Master. Swinging back and forth, up and down, the Son of Ben Ali paid no attention to the negroes, and they stood confused for a moment, but only for a moment. Suddenly there came streaming into the room the strain of a heart-breaking melody, rising and falling, falling and rising, as the leaves of a weeping willow are blown by the wind; drifting away and floating back, as the foam of the wave is swayed by the sea.
Little Crotchet lay still in Aaron's arms for ever so long. Was he listening? Who knows? He was almost within hearing of the songs of the angels. Suddenly he raised his head in the pause of the song—
"Tell them all good-night. Tell mother"—
Aaron stopped his swinging walk and placed the Little Master on the bed and stood beside it, his right hand raised above his head. It might have been a benediction, it might have been a prayer. The negroes interpreted it as a signal of dismissal. One by one they went softly to the bedside and gazed on the Little Master. He might have been asleep, for he was smiling. Each negro looked inquiringly at Aaron, and to each he nodded, his right hand still lifted above his head.
THE DEATH OF THE LITTLE MASTER
Big Sal had waited till the last, and she was the only one that said a word.
"He look des like he did when he drapt asleep in deze arms," she cried, sobbing as though her heart would break, "an' I thank my God fer dat much! But oh, man, what a pity! What a pity!"