Aaron in the Wildwoods

by Joel Chandler Harris

The hill on which he had stood had been given over to scrub pines. The hill itself sloped away to the Turner old fields. But still he was puzzled, and still he scratched his head, for he knew that the Swamp was a good four miles away—nearly five—and it seemed to him that he and Aaron had been only a few minutes in making the journey. So he scratched his head and wondered to himself whether Aaron was really a "conjur' man."

It was perhaps very lucky for Chunky Riley that he stopped when he did. If he had kept on he would have run into the arms of three men who were going along the plantation path that led from Gossett's negro quarters to the Abercrombie Place. The delay that Chunky Riley made prevented him from meeting them, but it did not prevent him from hearing the murmur of their voices as he struck into the path. They were too far off for Chunky Riley to know whether they were white or black, but just as he turned into the path to go to Gossett's the scent of a cigar floated to his nostrils. He paused and scratched his head again. He knew by the scent of the cigar that the voices he heard belonged to white men: but who were they? If they were the "patterollers" they'd catch Aaron beyond all question; it would be impossible for him to escape.

So thought Chunky Riley, and so thinking, he turned and followed the path towards the Abercrombie Place. He moved rapidly but cautiously. The scent of the cigar grew stronger, the sound of men's voices fell more distinctly on his ear. Chunky Riley left the path and skirted through the low pines until he came to the fence that inclosed the spring lot. He knew that if he was heard, the men would think he was a calf, or, mayhap, a mule; for the hill on which Aaron had left him was now a part of a great pasture, in which the calves and dry cattle and (between seasons) the mules were allowed to roam at will.

Coming to the fence, Chunky Riley would have crossed it, but the voices were louder now, and he caught a glimpse of the red sparks of lighted cigars. Creeping closer and closer, but ever ready to drop on the ground and run away on all-fours, Chunky Riley was soon able to hear what the men were saying. He knew the voices of his master and young master, Mr. Gossett—Old Grizzle, as he was called—and George, and he rightly judged that the strange voice mingling with theirs belonged to Mr. Jim Simmons, who, with a trained pack of hounds,—"nigger dogs" they were called,—held himself at the service of owners of runaway negroes.

Mr. Simmons's average fee was $15—that is to say when he was "called in time." But in special cases his charge was $30. When Chunky Riley arrived within earshot of the group, Mr. Gossett was just concluding a protest that he had made against the charge of $30, which he had reluctantly agreed to pay for the capture of Aaron.

"You stayed at my house to-day, you'll stay there to-night, and maybe you'll come back to dinner to-morrow. There's the feeding of you and your dogs. You don't take any account of that at all."

Mr. Gossett's voice was sharp and emphatic. His stinginess was notorious in that region, and gave rise to the saying that Gossett loved a dollar better than he did his wife. But he was no more ashamed of his stinginess than he was of the shabbiness of his hat.

"But, Colonel," remonstrated Mr. Jim Simmons, "didn't you send for me? Didn't you say, 'Glad to see you, Simmons; walk right in and make yourself at home'? You did, fer a fact." He spoke with a drawl that irritated the snappy and emphatic Mr. Gossett.

"Why, certainly, Simmons; certainly I did. I mentioned the matter to show you that your charges are out of all reason in this case. All you have to do is to come here with your dogs in the morning, skirt around the place, pick up his trail, and there you are."

"But, Colonel!" insisted Mr. Jim Simmons with his careless, irritating drawl, "ain't it a plum' fact that this nigger's been in the woods a month or sech a matter? Ain't it a plum' fact that you've tracked him and trailed him with your own dogs?—and good dogs they are, and I'll tell anybody so. Now what do you pay me fer? Fer catching the nigger? No, sirree! The nigger's as good as caught now—when it comes to that. You pay me fer knowing how to catch him—that's what you pay me fer. You send fer the doctor. He comes and fumbles around a little, and you have to pay the bill whether he kills or cures. You don't pay him fer killing or curing; you pay him fer knowing how to fumble around. It's some different with me. If I don't catch your nigger, you button up your pocket. If I do catch him you pay me $30 down, not fer catching him, but fer knowing how to fumble around and catch him."