Balaam and His Master, and Other Sketches and Stories

by Joel Chandler Harris

There was one feature of Judge Waynecroft’s household, however, which the natives of Fairleigh did not admire, and that was “Mom Bi.” Perhaps they were justified in this. Mom Bi was a negro woman, who appeared to be somewhat past middle age, just how far past no one could guess. She was tall and gaunt, and her skin was black as jet. She walked rapidly, but with a sidewise motion, as if she had been overtaken with rheumatism or partial paralysis. Her left arm was bent and withered, and she carried it in front of her and across her body, as one would hold an infant. Her head-handkerchief was queerly tied. The folds of it stood straight up in the air, giving her the appearance of a black Amazon. This impression was heightened by the peculiar brightness of her eyes. They were not large eyes, but they shone like those of a wild animal that is not afraid of the hunter. Her nose was not flat, nor were her lips thick like those of the typical negro. Her whole appearance was aggressive. Moreover, her manner was abrupt, and her tongue sharp, especially when it was leveled at any of the natives of Fairleigh.

To do Mom Bi justice, her manner was abrupt and her tongue sharp even in her master’s family, but there these matters were understood. Practically, she ruled the household, and though she quarreled from morning till night, and sometimes far into the night, everything she said was taken in a Pickwickian sense. She was an old family servant who not only had large privileges, but was defiantly anxious to take advantage of all of them.

Whatever effect slavery may have had on other negroes, or on negroes in general, it is certain that Mom Bi’s spirit remained unbroken. Whoever crossed her in the least, white or black, old or young, got “a piece of her mind,” and it was usually a very large piece. Naturally enough, under the circumstances, Mom Bi soon became as well known in Fairleigh and in all the region round about as any of the “quality people.” To some, her characteristics were intensely irritating; while to others they were simply amusing; but to all she was a unique figure, superior in her methods and ideas to the common run of negroes.

Once, after having a quarrel with her mistress—a quarrel which was a one-sided affair, however—Mom Bi heard one of the house girls making an effort to follow her example. The girl was making some impertinent remarks to her mistress, when Mom Bi seized a dog-whip that was hanging in the hall, and used it with such effect that the pert young wench remembered it for many a long day.

This was Mom Bi’s way. She was ready enough to quarrel with each and every member of her master’s family, but she was ready to defend the entire household against any and all comers. Altogether she was a queer combination of tyrant and servant, of virago and “mammy.” Yet her master and mistress appreciated and respected her, and the children loved her. Her strong individuality was not misunderstood by those who knew her best.

No one knew just how old she was, and no one knew her real name. Probably no one cared: but there was a tradition in the Waynecroft family that her name was Viola, and that it had been corrupted by the children into Bi—Mom Bi. As to her age, it is sufficient to say that she was the self-constituted repository of the oral history of three generations of the family. She was a young woman when her master’s grandfather died in 1799. Good, bad or indifferent, Mom Bi knew all about the family; and there were passages in the careers of some of its members that she was fond of retailing to her master and mistress, especially when in a bad humor.

Insignificant as she was, Mom Bi made her influence felt in Fairleigh. She was respected in her master’s family for her honesty and faithfulness, but outsiders shrank from her frank and fearless criticism. The “sandhillers”—the tackies—that marketed their poor little crops in and around the village, were the special objects of her aversion, and she lost no opportunity of harassing them. Whether these queer people regarded Mom Bi as a humorist of the grimmer sort, or whether they were indifferent to her opinions, it would be difficult to say, but it is certain that her remarks, no matter how personal or bitter, made little impression on them. The men would rub their thin beards, nudge each other and laugh silently, while the women would push their sunbonnets back and stare at her as if she were some rare curiosity on exhibition. At such times Mom Bi would laugh loudly and maliciously, and cry out in a shrill and an irritating tone:—

“De Lord know, I glad I nigger. Ef I ain’t bin born black, dee ain’t no tellin, what I mought bin born. I mought bin born lak some deze white folks what eat dirt un set in de chimerly-corner tell dee look lak dee bin smoke-dried. De Lord know what make Jesse Waynecroft fetch he famerly ’mongst folk lak deze.”

This was mildness itself compared with some of Mom Bi’s harangues later on, when the “sandhillers,” urged by some of the energetic citizens of the village, were forming a military company to be offered to the Governor of Virginia for the defense of that State. This was in the summer of 1861. There was a great stir in the South. The martial spirit of the people had been aroused by the fiery eloquence of the political leaders, and the volunteers were mustering in every town and village. The “sandhillers” were not particularly enthusiastic—they had but vague ideas of the issues at stake—but the military business was something new to them, and therefore alluring. They volunteered readily if not cheerfully, and it was not long before there was a company of them mustering under the name of the Rifle Rangers—an attractive title to the ear if not to the understanding.