Free Joe and Other Georgian Sketches

by Joel Chandler Harris

This was duly sealed and dropped in the Hillsborough post-office, and Little Compton received it the same afternoon. He smiled as he broke the seal, but ceased to smile when he read the note. It happened to fit a certain vague feeling of uneasiness that possessed him. He laid it down on his desk, walked up and down behind his counter, and then returned and read it again. The sprawling words seemed to possess a fascination for him. He read them again and again, and turned them over and over in his mind. It was characteristic of his simple nature that he never once attributed the origin of the note to the humor of the young men with whom he was so familiar. He regarded it seriously. Looking up from the note, he could see in the corner of his store the brush and pot that had been used as arguments on the Vermont abolitionist. He vividly recalled the time when that unfortunate person was brought up before the self-constituted tribunal that assembled in his store.

Little Compton thought he had gaged accurately the temper of the people about him; and he had, but his modesty prevented him from accurately gaging or even thinking about, the impression he had made on them. The note troubled him a good deal more than he would at first confess to himself. He seated himself on a low box behind his counter to think it over, resting his face in his hands. A little boy who wanted to buy a thrip's worth of candy went slowly out again after trying in vain to attract the attention of the hitherto prompt and friendly storekeeper. Tommy Tinktums, the cat, seeing that his master was sitting down, came forward with the expectation of being told to perform his famous "bouncing" trick, a feat that was at once the wonder and delight of the youngsters around Hillsborough. But Tommy Tinktums was not commanded to bounce; and so he contented himself with washing his face, pausing every now and then to watch his master with half-closed eyes.

While sitting thus reflecting, it suddenly occurred to Little Compton that he had had very few customers during the past several days; and it seemed to him, as he continued to think the matter over, that the people, especially the young men, had been less cordial lately than they had ever been before. It never occurred to him that the threatened war, and the excitement of the period, occupied their entire attention. He simply remembered that the young men who had made his modest little store their headquarters met there no more. Little Compton sat behind his counter a long time, thinking. The sun went down, and the dusk fell, and the night came on and found him there.

After a while he lit a candle, spread the communication out on his desk, and read it again. To his mind, there was no mistaking its meaning. It meant that he must either fight against the Union, or array against himself all the bitter and aggressive suspicion of the period. He sighed heavily, closed his store, and went out into the darkness. He made his way to the residence of Major Jimmy Bass, where Miss Lizzie Fairleigh boarded. The major himself was sitting on the veranda; and he welcomed Little Compton with effusive hospitality—a hospitality that possessed an old-fashioned flavor.

"I'm mighty glad you come—yes, sir, I am. It looks like the whole world's out at the camps, and it makes me feel sorter lonesome. Yes, sir; it does that. If I wasn't so plump I'd be out there too. It's a mighty good place to be about this time of the year. I tell you what, sir, them boys is got the devil in 'em. Yes, sir; there ain't no two ways about that. When they turn themselves loose, somebody or something will git hurt. Now, you mark what I tell you. It's a tough lot—a mighty tough lot. Lord! wouldn't I hate to be a Yankee, and fall in their hands! I'd be glad if I had time for to say my prayers. Yes, sir; I would that."

Thus spoke the cheerful Major Bass; and every word he said seemed to rime with Little Compton's own thoughts, and to confirm the fears that had been aroused by the note. After he had listened to the major a while, Little Compton asked for Miss Fairleigh.

"Oho!" said the major. Then he called to a negro who happened to be passing through the hall: "Jesse, tell Miss Lizzie that Mr. Compton is in the parlor." Then he turned to Compton. "I tell you what, sir, that gal looks mighty puny. She's from the North, and I reckon she's homesick. And then there's all this talk about war. She knows our boys'll eat the Yankees plum up, and I don't blame her for being sorter down-hearted. I wish you'd try to cheer her up. She's a good gal if there ever was one on the face of the earth."

Little Compton went into the parlor, where he was presently joined by Miss Fairleigh. They talked a long time together, but what they said no one ever knew. They conversed in low tones; and once or twice the hospitable major, sitting on the veranda, detected himself trying to hear what they said. He could see them from where he sat, and he observed that both appeared to be profoundly dejected. Not once did they laugh, or, so far as the major could see, even smile. Occasionally Little Compton arose and walked the length of the parlor, but Miss Fairleigh sat with bowed head. It may have been a trick of the lamp, but it seemed to the major that they were both very pale.

Finally Little Compton rose to go. The major observed with a chuckle that he held Miss Fairleigh's hand a little longer than was strictly necessary under the circumstances. He held it so long, indeed, that Miss Fairleigh half averted her face, but the major noted that she was still pale. "We shall have a wedding in this house before the war opens," he thought to himself; and his mind was dwelling on such a contingency when Little Compton came out on the veranda.