Gabriel Tolliver: A Story of Reconstruction

by Joel Chandler Harris

She accepted the invitation more out of curiosity than with any expectation of enjoying herself; but she stayed longer than she had intended; and when she came back her views and feelings had undergone a complete change. "Cephas, you ought to be ashamed of yourself for not going to see those people," she declared. "Why, they are the salt of the earth. I never expected to be treated as they treated me. If it wasn't for your business, I would beg you to go back there and live. They are just like the people you read about in the books—I mean the good people, the ideal characters—the men and women you would like to meet." Here she paused and sighed. "Oh, I wouldn't have missed that visit for anything. But what amazes me, Cephas, is that you've never put in your books characters such as you find in Shady Dale."

The suggestion was a fertile one; it had in it the active principle of a germ; and it was not long before the ferment began to make itself felt. The past began to renew itself; the sun shone on the old days and gave them an illumination which they lacked when they were new. Time's perspective gave them a mellower tone, and they possessed, at least for me, that element of mystery which seems to attach to whatever is venerable. It was as if the place, the people, and the scenes had taken the shape of a huge picture, with just such a lack of harmony and unity as we find in real life.

Let those who can do so continue to import harmony and unity into their fabrications and call it art. Whether it be art or artificiality, the trick is beyond my powers. I can only deal with things as they were; on many occasions they were far from what I would have had them to be; but as I was powerless to change them, so am I powerless to twist individuals and events to suit the demands or necessities of what is called art.

Such a feat might be possible if I were to tell the simple story of Nan and Gabriel and Tasma Tid during the days when they roamed over the old Bermuda hills, and gazed, as it were, into the worlds that existed only in their dreams: for then the story would be both fine and beautiful. It would be a wonderful romance indeed, with just a touch of tragic mystery, gathered from the fragmentary history of Tasma Tid, a child-woman from the heart of Africa, who had formed a part of the cargo of the yacht Wanderer, which landed three hundred slaves on the coast of Georgia in the last months of 1858. You may find the particulars of the case of the Wanderer in the files of the Savannah newspapers, and in the records of the United States Court for that district; but the tragic history of Tasma Tid can be found neither in the newspapers nor in the court records.

But for this one touch of mystery and tragedy, this chronicle, supposing it to deal only with the childhood and early youth of Nan and Gabriel, would resolve itself into a marvellous fairy tale, made up of the innocent dreams and hopes and beliefs, and all the extraordinary inventions and imaginings of childhood. And even mystery and tragedy have their own particular forms of simplicity, so that, with Tasma Tid in the background the tale would be artless enough to satisfy the most artful. For, even if the reader, seated on the magic cloak of some competent story-teller, were transported to the heart of Africa, where the mountains, with their feet in the jungle, reach up and touch the moon, or to China, or the Islands of the Sea, the hero of the tale would be the same. His name is Dilly Bal, and he carries on his operations wherever there are stars in the sky. He is a restless and a roving creature, flitting to and fro between all points of the compass.

When King Sun crawls into his trundle bed and begins to snore, Dilly Bal creeps forth from Somewhere, or maybe from Nowhere, which is just on the other side, fetching with him a long broom, which he swishes about to such purpose that the katydids hear it and are frightened. They hide under the leaves and are heard no more that night. That is why you never hear them crying and disputing when you chance to be awake after midnight.

But Dilly Bal knows nothing of the katydids; he has his own duties to perform, and his own affairs to attend to; and these, as you will presently see, are very pressing. It is his business, as well as his pleasure, to be the Housekeeper of the Sky, which he dusts and tidies and puts in order. It is a part of his duty to see that the stars are safely bestowed against the moment when old King Sun shall emerge from his tent, and begin his march over the world. And then, in the dusk of the evening, Dilly Bal must take each star from the bag in which he carries it, polish it bright, and put it in its proper place.

Sometimes, as you may have observed, a star will fall while Dilly Bal is handling it. This happens when he is nervous for fear that King Sun, instead of going to bed in his tent, has crept back and is watching from behind the cloud mountains. Sometimes a star falls quite by accident, as when Lucindy or Patience drops a plate in the kitchen. You will be sure to know Dilly Bal when you see him, for, in handling the stars and dusting the sky, his clothes get full of yellow cobwebs, which he never bothers himself to brush off.

But Dilly Bal's most difficult job is with the Moon. Regularly the Moon blackens her face in a vain effort to hide from King Sun. If she used smut or soot, Dilly Bal's task would not be so difficult; but she has found a lake of pitch somewhere in Africa, and in this lake she smears her face till it is so black her best friends wouldn't know her. The pitch is such sticky stuff that it is days and days before it can be rubbed off. The truth is, Dilly Bal never does succeed in getting all the pitch off. At her brightest, the Moon shows signs of it. So said Tasma Tid, and so we all firmly believed.

Yes, indeed! If this chronicle could be confined to the childhood and youth of those children, Dilly Bal would be the hero first and last. He was so real to all of us that we used to wander out to the old Bermuda fields almost every fine afternoon, and sit there until the light had faded from the sky, watching Dilly Bal hanging the stars on their pegs. The Evening Star was such a large and heavy one that Dilly Bal always replaced it before dark, so as to be sure not to drop it.