Mingo, and Other Sketches in Black and White

by Joel Chandler Harris

The mountain girl was a surprise to Woodward. She had improved her few opportunities to the utmost. Such information as the Gullettsville Academy afforded she relished and absorbed, so that her education was thorough as far as it went. Neither her conversation nor her manners would have attracted special attention in a company of fairly bright young girls, but she formed a refreshing contrast to the social destitution of the mountain region.

Beyond this, her personality was certainly more attractive than that of most women, being based upon an independence which knew absolutely nothing of the thousand and one vexatious little aspirations that are essential to what is called social success. Unlike the typical American girl, whose sweetly severe portraits smile serenely at us from the canvas of contemporary fiction, Miss Poteet would have been far from equal to the task of meeting all the requirements of perfectly organised society; but she could scarcely have been placed in a position in which her natural brightness and vivacity would not have attracted attention.

At any rate, the indefinable charm of her presence, her piquancy, and her beauty, was a perpetual challenge to the admiration of Deputy-Marshal Woodward. It pursued him in his dreams, and made him uncomfortable in his waking hours, so much so, indeed, that his duties as a revenue officer, perplexing at best, became a burden to him.

In point of fact, this lively young lady was the unforeseen quantity in the problem which Woodward had been employed to solve; and, between his relations to the Government and his interest in Sis Poteet, he found himself involved in an awkward predicament. Perhaps the main features of this predicament, baldly presented, would have been more puzzling to the authorities at Washington than they were to Woodward; but it is fair to the young man to say that he did not mistake the fact that the Moonshiner had a daughter for an argument in favour of illicit distilling, albeit the temptation to do so gave him considerable anxiety.

In the midst of his perplexity, Deputy-Marshal Woodward concluded that it would be better for the Government, and better for his own peace of mind, if he allowed Sis Poteet to ride home without an escort; and for several days he left her severely alone, while he attended to his duties, as became a young fellow of fair business habits.

But one afternoon, as he sat on the piazza of the hotel nursing his confusion and discontent, Sis Poteet rode by. It was a tantalising vision, though a fleeting one. It seemed to be merely the flash of a red feather, the wave of a white hand, to which Woodward lifted his hat; but these were sufficient. The red feather nodded gaily to him, the white hand invited. His horse stood near, and in a few moments he was galloping toward the mountain with the Moonshiner's daughter.

When the night fell at Teague Poteet's on this particular evening, it found a fiddle going. The boys and girls of the mountain, to the number of a dozen or more, had gathered for a frolic—a frolic that shook the foundations of Poteet's castle, and aroused echoes familiar enough to the good souls who are fond of the cotillon in its primitive shape. The old folks who had accompanied the youngsters sat in the kitchen with Teague and his wife, and here Woodward also sat, listening with interest to the gossip of what seemed to be a remote era—the war and the period preceding it.

The activity of Sis Poteet found ample scope, and, whether lingering for a moment at her father's side like a bird poised in flight, or moving lightly through the figures of the cotillon, she never appeared to better advantage.

Toward midnight, when the frolic was at its height, an unexpected visitor announced himself. It was Uncle Jake Norris, who lived on the far side of the mountain. The fiddler waved his bow at Uncle Jake, and the boys and girls cried "Howdy," as the visitor stood beaming and smiling in the doorway. To these demonstrations Uncle Jake, "a chunk of a white man with a whole heart," as he described himself, made cordial response, and passed on into the kitchen. The good-humour of Mr. Norris was as prominent as his rotundity. When he was not laughing, he was ready to laugh. He seated himself, looked around at the company, and smiled.

"It's a long pull betwixt this an' Atlanty," he said after a while; "it is that, certain an' shore, an' I hain't smelt of the jug sence I lef ther'. Pull 'er out, Teague, pull 'er out."