"Drede God and Honour the Kyng."
ENTRANCE TO THE BANQUET-HALL, HADDON HALL.
An exquisite oriel window looks out from this room over the woods and grounds of Haddon, the recess bearing on one of its panels the head of Will Somers, who was Henry VIII.'s jester. The drawing-room, which is over the dining-room, is hung with old tapestry, above which is a frieze of ornamental mouldings. A pretty recessed window also gives from this room a delightful view over the grounds.
The gem of Haddon is the long gallery or ball-room, which extends over one hundred feet along one side of the inner court: the semicircular wooden steps leading to this apartment are said to have been cut from a single tree that grew in the park. The gallery is wainscoted in oak in semicircular arched panels, alternately large and small, surmounted by a frieze and a turreted and battlemented cornice. The ceiling is elaborately carved in geometric patterns, and the tracery contains the alternating arms and crests of Vernon and Manners: the remains are still visible of the rich gilding and painting of this ceiling. In the anteroom paintings are hung, and from it a strongly-barred door opens upon a flight of stone steps leading down to the terrace and garden: this is "Dorothy Vernon's Door;" and across the garden another flight of steps leading to the terrace is known as "Dorothy Vernon's Steps." It was the gentle maiden's flight through this door and up these steps to elope with John Manners that carried the old house and all its broad lands into the possession of the family now owning it. The state bedroom is hung with Gobelin tapestry, illustrating Æsop's fables: the state bed is fourteen feet high, and furnished in green silk velvet and white satin, embroidered by needlework, and its last occupant was George IV. The kitchen and range of domestic offices are extensive, and show the marvellous amount of cooking that was carried on in the hospitable days of Haddon; the kitchen has a ceiling supported by massive beams and a solid oak column in the centre; there are two huge fireplaces, scores of stoves, spits, pothooks, and hangers, large chopping-blocks, dressers, and tables, with attendant bakehouses, ovens, pantries, and larders; among the relics is an enormous salting-trough hollowed out of one immense block of wood. Beyond the garden or lawn, one hundred and twenty feet square, extends the terrace, planted with ancient yews, whose gnarled roots intertwine with and displace the stones. This terrace extends the full width of the outer or upper garden, and gives a charming view of the southern front of the hall.
THE TERRACE, HADDON HALL.
More romance hangs about Haddon than probably any other old baronial hall in England, and it has therefore been for years an endless source of inspiration for poets, artists, and novelists. Mrs. Radcliffe here laid some of the scenes of the Mysteries of Udolpho. Bennett's "King of the Peak" was Sir George Vernon, the hospitable owner of Haddon. Scott has written of it, a host of artists have painted its most attractive features, and many a poet has sung of the
"Hall of wassail which has rung
To the unquestioned baron's jest:
Dim old chapel, where were hung
Offerings of the o'erfraught breast;
Moss-clad terrace, strangely still,
Broken shaft and crumbling frieze——
Still as lips that used to fill
With bugle-blasts the morning breeze."
But, unlike most baronial strongholds, the history of Haddon tells only the romance of peace, love, and hospitality. It came by marriage into the possession of the Vernons soon after the Conquest; one of them, Sir Henry Vernon of Haddon, was appointed governor of Prince Arthur by Henry VII. His grandson, Sir George Vernon, lived in such princely magnificence at Haddon that he was known as the "King of the Peak;" his initials, "G. V.," are carved in the banquet-hall. Around his youngest daughter, Dorothy, gathers the chief halo of romance. The story in brief is, that her elder sister, being the affianced bride of the son of the Earl of Derby, was petted and made much of, while Dorothy, at sweet sixteen, was kept in the background. She formed an attachment for John Manners, son of the Earl of Rutland, but this her family violently opposed, keeping her almost a prisoner: her lover, disguised as a forester, lurked for weeks in the woods around Haddon, obtaining occasionally a stolen interview. At length on a festal night, when the ball-room was filled with guests summoned to celebrate the approaching nuptials of the elder sister, and every one was so wrapped up in enjoyment that there was no time to watch Dorothy, the maiden, unobserved, stole out of the ball-room into the anteroom, and through the door, across the garden, and up the steps to the terrace, where her lover had made a signal that he was waiting. In a moment she was in his arms, and rode away with him in the moonlight all night, across the hills of Derbyshire, and into Leicestershire, where they were married next morning. It was the old story—an elopement, a grand row, and then all was forgiven. Sir George Vernon had no sons, and his daughters divided his estate, Haddon going to Dorothy, who thus by her elopement carried the famous hall over to the family of Manners. Dorothy died in 1584, leaving four children, the oldest, Sir George Manners, living at Haddon and maintaining its hospitable reputation. Dying in 1679, his son John Manners, who was the ninth Earl of Rutland, became the master of Haddon, and "kept up the good old mansion at a bountiful rate," as the chronicler tells us. He kept one hundred and forty servants, and had so many retainers and guests that every day the tables in the old banquet-hall were spread as at a Christmas feast. The earl was raised to the rank of duke, and his son John, Duke of Rutland, known as the "Old Man of the Hill," died in 1779, since which time the family have not used the hall as a place of residence, having gone to Belvoir in Leicestershire. Its present owner is the sixth Duke of Rutland, Charles Cecil Manners, and the descendant of the famous Dorothy. There are few places, even in England, that have the fame of Haddon, and it is one of the chief spots sought out by the tourist. The duke maintains it just as it existed centuries ago, with the old furniture and utensils, so as to reproduce as faithfully as possible the English baronial hall of his ancestors.