ANNE HATHAWAY'S COTTAGE.
The old house where he was born is on the main street of the town, and has been taken possession of by a Trust which has restored it to its original condition. Its walls are covered with the initials of visitors; there is nothing to be seen in the house that has any proved connection with Shakespeare excepting his portrait, painted when he was about forty-five years old. The sign of the butcher who had the building before the Trust bought it is also exhibited, and states that "The immortal Shakespeare was born in this house." His birth took place in this ancient but carefully preserved building on April 23, 1564, and exactly fifty-two years later, on April 23, 1616, he died in another house near by, known as the "New Place," on Chapel Street. Excepting the garden and a portion of the ancient foundations nothing now remains of the house where Shakespeare died; a green arbor in the yard, with the initials of his name set in the front fence, being all that marks the spot. Adjoining the remnants of this "New Place" is the "Nash House," where the curator representing the Shakespeare Trust has his home. This building is also indirectly connected with Shakespeare, having belonged to and been occupied by Thomas Nash, who married Elizabeth Hall, the poet's granddaughter, who subsequently became Lady Barnard. The church of the Holy Trinity at Stratford contains Shakespeare's grave; five flat stones lying in a row across the narrow chancel cover his family, the grave of Anne Hathaway, his wife, being next to that of the poet; his monument is on the wall, and near it is the American memorial window, representing the Seven Ages of Man. In the chancel upon the western side, within a Grecian niche, is the well-known half-figure monument of Shakespeare that has been so widely copied, representing him in the act of composition. The most imposing building in Stratford is the "Shakespeare Memorial," a large and highly ornamental structure, thoroughly emblematic, and containing a theatre. Stratford is full of relics of Shakespeare and statues and portraits in his memory. There is a life-size statue of the poet outside the Town-Hall which was presented to the city by Garrick in the last century, while within the building is his full-length portrait, also a present from Garrick, together with Gainsborough's portrait of Garrick himself. At the modest hamlet of Shottery, about a mile out of town, is the little cottage where Anne Hathaway lived, and where the poet is said to have "won her to his love;" a curious bedstead and other relics are shown at the cottage. Charlecote House, the scene of Shakespeare's youthful deer-stealing adventure that compelled him to go to London, is about four miles east of Stratford, near the Avon: it is an ancient mansion of the Elizabethan period. In the neighborhood are also a mineral spring known as the Royal Victoria Spa and some ancient British intrenchments called the Dingles.
WARWICK
WARWICK CASTLE.
The renowned castle of Warwick is upon the Avon, a short distance above Stratford. Warwick was founded by the Britons at a very early period, and is believed to be as old in some parts as the Christian era; it was afterwards held as a Christian stronghold against the Danes. Lady Ethelfleda, daughter of King Alfred, built the donjon-keep upon an artificial mound of earth that can still be traced in the castle grounds. The most ancient part of the present castle was erected in the reign of Edward the Confessor, and in William the Conqueror's time it received considerable additions, and he created the first Earl of Warwick. It was a great stronghold in the subsequent wars, and an heiress brought the castle to Richard Neville, who assumed the title in right of his wife, and was the famous Warwick, "the King-maker." After many changes it came to the Grevilles, who are now the Earls of Warwick. This castle is one of the best specimens of the feudal stronghold remaining in England, and occupies a lovely position on the river-bank, being built on a rock about forty feet high; its modern apartments contain a rich museum filled with almost priceless relics of the olden time. Here are also valuable paintings and other works of art, among them Vandyck's portrait of Charles I. and many masterpieces of Rembrandt, Paul Veronese, Leonardo da Vinci, Rubens, Holbein, and Salvator Rosa. In December, 1871, the great hall and suite of private apartments at Warwick were burnt, but the valuable contents were almost all saved with little injury. The castle was restored by a public subscription. It is built around a large oval-shaped court; the gatehouse tower is flanked by embattled walls covered with ivy, and having at either extremity Cæsar's Tower and Guy's Tower; the inner court is bounded by ramparts and turrets, and has on one side an artificial mound surmounted by an ancient tower. From the modernized rooms of the castle, where the family live and the museum is located, and which extend in a suite for three hundred and fifty feet, all the windows look out upon beautiful views; many of these rooms are hung with tapestry. Cæsar's Tower, believed to be the most ancient part of the castle and as old as the Norman Conquest, is one hundred and seventy-four feet high; Guy's Tower, which was built in 1394, has solid walls ten feet thick and is one hundred and twenty-eight feet high, disclosing fine views from the turrets. The grounds are extensive, and the magnificent marble "Warwick Vase," brought from the Emperor Adrian's villa at Tivoli in Italy, is kept in a special greenhouse, being one of the most completely perfect and beautiful specimens of ancient sculpture known. St. Mary's Church at Warwick is a fine building, which in the early part of the last century replaced the original collegiate church of St. Mary, an edifice that had unfortunately been burnt. Thomas Beauchamp, one of the earlier Earls of Warwick, was the founder of this church, and his monument with recumbent effigy is in the middle of the choir. The Beauchamp Chapel, over four hundred years old, is a beautiful relic of the original church still remaining, and stands on the southern side of the new building. The whole of this portion of Warwickshire is underlaid by medicinal waters, and the baths of Leamington are in the valley of the little river Leam, a short distance north-east of the castle, its Jephson Gardens, a lovely park, commemorating one of the most benevolent patrons.
OBLIQUE GABLES IN WARWICK.
Warwick Castle, like all the others, has its romance, and this centres in the famous giant, Guy of Warwick, who lived nearly a thousand years ago, and was nine feet high. His staff and club and sword and armor are exhibited in a room adjoining Cæsar's Tower; and here also is Guy's famous porridge-pot, a huge bronze caldron holding over a hundred gallons, which is used as a punch-bowl whenever there are rejoicings in the castle. There is nothing fabulous about the arms or the porridge-pot, but there is a good deal that is doubtful about the giant Guy himself and the huge dun cow that once upon a time he slew, one of whose ribs, measuring over six feet long, is shown at Guy's Cliff. This cliff is where the redoubtable Guy retired as a hermit after championing the cause of England in single combat against a giant champion of the Danes, and is about a mile from Warwick. It is a picturesque spot, and a chantry has been founded there, while for many years a rude statue of the giant Guy stood on the cliff, where the chisel had cut it out of the solid rock. The town of Warwick is full of old gabled houses and of curious relics of the time of the "King-maker" and of the famous Earl of Leicester, who in Elizabeth's time founded there the Leicester Hospital, where especial preference is given to pensioners who have been wounded in the wars. It is a fine old house, with its chapel, which has been restored nearly in the old form, stretching over the pathway, and a flight of steps leading up to the promenade around it. The hospital buildings are constructed around an open quadrangle, and upon the quaint black and white building are some fine antique carvings. The old "Malt-Shovel Inn" is a rather decayed structure in Warwick, with its ancient porch protruding over the street, while some of the buildings, deranged in the lower stories by the acute angles at which the streets cross, have oblique gables above stairs that enabled the builders to construct the upper rooms square. This is a style of construction peculiar to Warwick, and adds to the oddity of this somnolent old town, that seems to have been practically asleep for centuries.