CLOISTERS OF WESTMINSTER ABBEY.
WESTMINSTER ABBEY, INTERIOR OF THE CHOIR.
The abbey's ground-plan has the form of a Latin cross, which is apsidal, having radiating chapels. Henry VII.'s Chapel prolongs the building eastward from the transept almost as much as the nave extends westward. Cloisters adjoin the nave, and the western towers, built by Wren, rise two hundred and twenty-five feet, with a grand window beneath them. The church is five hundred and thirty feet long. The nave is one hundred and sixty-six feet long and one hundred and two feet high; the choir, one hundred and fifty-five long; the transept, two hundred and three feet long, and on the south arm one hundred and sixty-five feet high. A great rose-window, thirty feet in diameter, is in the north end of the transept, with a fine portico, beneath which is the beautiful gateway of the abbey. In the interior the height of the roof is remarkable, and also the vast number of monuments, there being hundreds of them. Magnificent woodwork in carving and tracery adorns the choir, and its mosaic pavement comes down to us from the thirteenth century, the stones and workmen to construct it having been brought from Rome. The fine stained-glass windows are chiefly modern. But the grand contemplation in Westminster Abbey is the graves of the famous dead that have been gathering there for nearly eight centuries. No temple in the world can present anything like it. Wordsworth has written:
——"Be mine in hours of fear
Or grovelling thought to find a refuge here,
Or through the aisles of Westminster to roam,
Where bubbles burst, and folly's dancing foam
Melts if it cross the threshold—where the wreath
Of awestruck wisdom droops."
KING HENRY VII.'S CHAPEL.
Of the nine chapels surrounding the east end of the abbey, the most interesting are those of Edward the Confessor, beyond the altar, and of Henry VII., at the extreme eastern end. The shrine of King Edward above referred to occupies the centre of his chapel, and was formerly richly inlaid with mosaics and precious stones, which, however, have been carried off. Henry VII.'s Chapel is a fine specimen of the architecture of his time, and the monuments of Queens Elizabeth and Mary of Scotland are in the north and south aisles. In the south transept is the Poets' Corner, with monuments to all the great poets, and here, as well as in nave and choir and the north transept, are monuments of hundreds of illustrious Englishmen. In making these burials there is a sort of method observed. Chaucer's interment in the Poets' Corner in 1400 led the south transept to be devoted to literary men. The north transept is devoted to statesmen, the first distinguished burial there being the elder Pitt in 1778. The organ is on the north side of the nave, and here the eminent musicians repose. In the side chapels the chief nobles are buried, and in the chancel and its adjoining chapels the sovereigns. Isaac Newton in 1727 was the first scientist buried in the nave, and that part has since been devoted to scientific men and philanthropists. Probably the finest tomb in the abbey is that of the elder Pitt, which bears the inscription, "Erected by the King and Parliament as a testimony to the virtues and ability of William Pitt, Earl of Chatham, during whose administration, in the reigns of George II. and George III., Divine Providence exalted Great Britain to a height of prosperity and glory unknown to any former age." One of the finest of the stained-glass windows in the nave is the double memorial window in memory of the poets Herbert and Cowper, erected by an American, George W. Childs. George III. and the British sovereigns since his reign have their tombs at Windsor, preferring that noble castle for their last resting-place.
Upon the east side of the abbey is St. Margaret's, the special church of the House of Commons. Its east window contains the celebrated stained-glass representation of the Crucifixion, painted in Holland, which General Monk buried to keep the Puritans from destroying. Sir Walter Raleigh is entombed here, and an American subscription has placed a stained-glass window in the church to his memory, inscribed with these lines by James Russell Lowell: