THE ELBOW.—At the elbow, the humerus articulates with the ulna—a slender bone on the inner side of the forearm—by a hinge joint which admits of motion in only two directions, i. e., backward and forward. The ulna is small at its lower end; the radius, or large bone of the forearm, on the contrary, is small at its upper end, while it is large at its lower end, where it forms the wrist joint. At the elbow, the head of the radius is convex and fits into a shallow cavity in the ulna, while at the wrist the ulna plays in a similar socket in the radius. Thus the radius may roll over and even cross the ulna.
THE WRIST, or carpus, consists of two rows of very irregular bones, one of which articulates with the forearm; the other, with the hand. They are placed side to side, and so firmly fastened as to admit of only a gliding motion. This gives little play, but great strength, elasticity, and power of resisting shocks.
THE HAND.—The metacarpal (meta, beyond; karpos, wrist), or bones of the palm, support each a thumb or a finger. Each finger has three bones, while the thumb has only two. The first bone of the thumb, standing apart from the rest, enjoys a special freedom of motion, and adds greatly to the usefulness of the hand.
FIG. 12.
[Illustration: Bones of the Hand and the Wrist.]
The first bone (Figs. 11, 12) of each finger is so attached to the corresponding metacarpal bone as to move in several directions upon it, but the other phalanges form hinge joints.
The fingers are named in order: the thumb, the index, the middle, the ring, and the little finger. Their different lengths cause them to fit the hollow of the hand when it is closed, and probably enable us more easily to grasp objects of varying size. If the hand clasps a ball, the tips of the fingers will be in a straight line.
The hand in its perfection belongs only to man. Its elegance of outline, delicacy of mold, and beauty of color have made it the study of artists; while its exquisite mobility and adaptation as a perfect instrument have led many philosophers to attribute man's superiority even more to the hand than to the mind. [Footnote: How constantly the hand aids us in explaining or enforcing a thought! We affirm a fact by placing the hand as if we would rest it firmly on a body; we deny by a gesture putting the false or erroneous proposition away from us; we express doubt by holding the hand suspended, as if hesitating whether to take or reject. When we part from dear friends, or greet them again after long absence, the hand extends toward them as if to retain, or to bring them sooner to us. If a recital or a proposition is revolting, we reject it energetically in gesture as in thought. In a friendly adieu we wave our good wishes to him who is their object; but when it expresses enmity, by a brusque movement we sever every tie. The open hand is carried backward to express fear or horror, as well as to avoid contact; it goes forward to meet the hand of friendship; it is raised suppliantly in prayer toward Him from whom we hope for help; it caresses lovingly the downy cheek of the infant, and rests on its head invoking the blessing of Heaven,—Wonders of the Human Body.]
FIG. 13.
[Illustration: The Mechanism of the Hip Joint.]