I will now make a few remarks upon Common Sense. I have introduced a few extracts to show its spirit, scope, and object; and the opinions, principles, language, and style of Mr. Paine. I have also thrown by the side of them the similar characteristics of Junius, but this is not all.
Common Sense was to America what Junius would have been to England if the same success had attended it. There is a plan in Common Sense similar to that of Junius. It opens the new year with a new policy; it begins by a contrast between society and government; it attacks the government and defends the original rights of the people; it assaults the king and his minions; it defends republicanism against royalty; it calls on the people to rebel against the tyrant, to take up arms in their defense, and to establish government upon the natural and original rights of the people. If one will study the two works he will find not only the general plan the same, but even in detail they strikingly correspond; showing the same head to plan, and the same hand to execute. There is the same language, the same figures of speech, the same wit, the same method of argumentation, the same withering satire, the same appeals to Heaven, and the same bold, proud, unconquerable spirit, in the one as in the other.
If Mr. Paine was Junius, these things would naturally be expected. And it would be expected, also, that having failed to produce the desired effect in England, and all further effort there being at an end, that if Junius lived he would change his base of operations if a favorable opportunity offered, and strike once more for the liberties of the people. Thus the natural order of things leads us to an irresistible conclusion. But in order not to be too hasty we ought to ask: Is there not one fact in the whole life and character of Mr. Paine incompatible with Junius? When it is found I will surrender the argument. But let us proceed.
Nature is prodigal of varieties. No two individuals are alike, either in physical form or mental features. Great differences may be found even among those most resembling each other, but when we find a man prominent among his fellow-kind, it is because of marked characteristics in which he greatly differs from the rest. These characteristics are expressed in action. A record of these actions is the history of men. Faust gives us movable type, and Watt the steam-engine. Newton asks nature to reveal her mode of operation in the movement of matter. Bacon asks her for her method. Buckle inquires after the science of history. Napoleon was a magazine of war. And thus great minds reveal themselves in their own way; and the more striking and peculiar the characteristic, the more easily can we distinguish and describe the person. Mr. Paine was a literary adventurer. And unlike adventurers in conquest or discovery, he left the record of his course as he went along. His was not a path in the sea, nor foot-prints in the sand, but a work like that of Euclid or Laplace, carved out of thought; he called out of chaos a new world of politics; he fought great battles and won victories with the pen. To know the man, then, we must examine his writings. To this end, therefore, I call the reader's attention to his style.
STYLE.
I will first make some concise remarks upon this subject, to aid us in comparing Junius with Mr. Paine; because I propose to show that the style of the one is the style of the other.
Style, by most authors, is treated under the following heads: Perspicuity, Vivacity, and Beauty. Perspicuity, I define, the clear and true expression of our thoughts in the fewest words. Vivacity is the energy or life of expression; it attracts the attention, and excites the imagination. It takes the will by storm and produces conviction. Combined with perspicuity it becomes eloquence. Beauty is the harmony and smoothness of of expression, and is often made synonymous with elegance.