Life's true joy is in virtue and piety. If they are Epicureans who live pleasantly, then none are more truly Epicureans than they who live in holiness and piety.

The ideal joy of life is also perfectly idyllic in so far that it requires an aloofness from earthly concerns and contempt for all that is sordid. It is foolish to be interested in all that happens in the world; to pride oneself on one's knowledge of the market, of the King of England's plans, the news from Rome, conditions in Denmark. The sensible old man of the Colloquium Senile has an easy post of honour, a safe mediocrity, he judges no one and nothing and smiles upon all the world. Quiet for oneself, surrounded by books—that is of all things most desirable.

On the outskirts of this ideal of serenity and harmony numerous flowers of aesthetic value blow, such as Erasmus's sense of decorum, his great need of kindly courtesy, his pleasure in gentle and obliging treatment, in cultured and easy manners. Close by are some of his intellectual peculiarities. He hates the violent and extravagant. Therefore the choruses of the Greek drama displease him. The merit of his own poems he sees in the fact that they pass passion by, they abstain from pathos altogether—'there is not a single storm in them, no mountain torrent overflowing its banks, no exaggeration whatever. There is great frugality in words. My poetry would rather keep within bounds than exceed them, rather hug the shore than cleave the high seas.' In another place he says: 'I am always most pleased by a poem that does not differ too much from prose, but prose of the best sort, be it understood. As Philoxenus accounted those the most palatable fishes that are no true fishes and the most savoury meat what is no meat, the most pleasant voyage, that along the shores, and the most agreeable walk, that along the water's edge; so I take especial pleasure in a rhetorical poem and a poetical oration, so that poetry is tasted in prose and the reverse.' That is the man of half-tones, of fine shadings, of the thought that is never completely expressed. But he adds: 'Farfetched conceits may please others; to me the chief concern seems to be that we draw our speech from the matter itself and apply ourselves less to showing off our invention than to present the thing.' That is the realist.

From this conception results his admirable, simple clarity, the excellent division and presentation of his argument. But it also causes his lack of depth and the prolixity by which he is characterized. His machine runs too smoothly. In the endless apologiae of his later years, ever new arguments occur to him; new passages to point, or quotations to support, his idea. He praises laconism, but never practises it. Erasmus never coins a sentence which, rounded off and pithy, becomes a proverb and in this manner lives. There are no current quotations from Erasmus. The collector of the Adagia has created no new ones of his own.

The true occupation for a mind like his was paraphrasing, in which, indeed, he amply indulged. Soothing down and unfolding was just the work he liked. It is characteristic that he paraphrased the whole New Testament except the Apocalypse.

Erasmus's mind was neither philosophic nor historic. His was neither the work of exact, logical discrimination, nor of grasping the deep sense of the way of the world in broad historical visions in which the particulars themselves, in their multiplicity and variegation, form the image. His mind is philological in the fullest sense of the word. But by that alone he would not have conquered and captivated the world. His mind was at the same time of a deeply ethical and rather strong aesthetic trend and those three together have made him great.

The foundation of Erasmus's mind is his fervent desire of freedom, clearness, purity, simplicity and rest. It is an old ideal of life to which he gave new substance by the wealth of his mind. Without liberty, life is no life; and there is no liberty without repose. The fact that he never took sides definitely resulted from an urgent need of perfect independence. Each engagement, even a temporary one, was felt as a fetter by Erasmus. An interlocutor in the Colloquies, in which he so often, spontaneously, reveals his own ideals of life, declares himself determined neither to marry, nor to take holy orders, nor to enter a monastery, nor into any connection from which he will afterwards be unable to free himself—at least not before he knows himself completely. 'When will that be? Never, perhaps.' 'On no other account do I congratulate myself more than on the fact that I have never attached myself to any party,' Erasmus says towards the end of his life.

Liberty should be spiritual liberty in the first place. 'But he that is spiritual judgeth all things, yet he himself is judged of no man,' is the word of Saint Paul. To what purpose should he require prescriptions who, of his own accord, does better things than human laws require? What arrogance it is to bind by institutions a man who is clearly led by the inspirations of the divine spirit!

In Erasmus we already find the beginning of that optimism which judges upright man good enough to dispense with fixed forms and rules. As More, in Utopia, and Rabelais, Erasmus relies already on the dictates of nature, which produces man as inclined to good and which we may follow, provided we are imbued with faith and piety.

In this line of confidence in what is natural and desire of the simple and reasonable, Erasmus's educational and social ideas lie. Here he is far ahead of his times. It would be an attractive undertaking to discuss Erasmus's educational ideals more fully. They foreshadow exactly those of the eighteenth century. The child should learn in playing, by means of things that are agreeable to its mind, from pictures. Its faults should be gently corrected. The flogging and abusive schoolmaster is Erasmus's abomination; the office itself is holy and venerable to him. Education should begin from the moment of birth. Probably Erasmus attached too much value to classicism, here as elsewhere: his friend Peter Gilles should implant the rudiments of the ancient languages in his two-year-old son, that he may greet his father with endearing stammerings in Greek and Latin. But what gentleness and clear good sense shines from all Erasmus says about instruction and education!