The northern half of the Low Countries were 'outskirts' also in ecclesiastical and cultural matters. Brought over rather late to the cause of Christianity (the end of the eighth century), they had, as borderlands, remained united under a single bishop: the bishop of Utrecht. The meshes of ecclesiastical organization were wider here than elsewhere. They had no university. Paris remained, even after the designing policy of the Burgundian dukes had founded the university of Louvain in 1425, the centre of doctrine and science for the northern Netherlands. From the point of view of the wealthy towns of Flanders and Brabant, now the heart of the Burgundian possessions, Holland and Zealand formed a wretched little country of boatmen and peasants. Chivalry, which the dukes of Burgundy attempted to invest with new splendour, had but moderately thrived among the nobles of Holland. The Dutch had not enriched courtly literature, in which Flanders and Brabant zealously strove to follow the French example, by any contribution worth mentioning.
Whatever was coming up in Holland flowered unseen; it was not of a sort to attract the attention of Christendom. It was a brisk navigation and trade, mostly transit trade, by which the Hollanders already began to emulate the German Hansa, and which brought them into continual contact with France and Spain, England and Scotland, Scandinavia, North Germany and the Rhine from Cologne upward. It was herring fishery, a humble trade, but the source of great prosperity—a rising industry, shared by a number of small towns.
Not one of those towns in Holland and Zealand, neither Dordrecht nor Leyden, Haarlem, Middelburg, Amsterdam, could compare with Ghent, Bruges, Lille, Antwerp or Brussels in the south. It is true that in the towns of Holland also the highest products of the human mind germinated, but those towns themselves were still too small and too poor to be centres of art and science. The most eminent men were irresistibly drawn to one of the great foci of secular and ecclesiastical culture. Sluter, the great sculptor, went to Burgundy, took service with the dukes, and bequeathed no specimen of his art to the land of his birth. Dirk Bouts, the artist of Haarlem, removed to Louvain, where his best work is preserved; what was left at Haarlem has perished. At Haarlem, too, and earlier, perhaps, than anywhere else, obscure experiments were being made in that great art, craving to be brought forth, which was to change the world: the art of printing.
There was yet another characteristic spiritual phenomenon, which originated here and gave its peculiar stamp to life in these countries. It was a movement designed to give depth and fervour to religious life; started by a burgher of Deventer, Geert Groote, toward the end of the fourteenth century. It had embodied itself in two closely connected forms—the fraterhouses, where the brethren of the Common Life lived together without altogether separating from the world, and the congregation of the monastery of Windesheim, of the order of the regular Augustinian canons. Originating in the regions on the banks of the Ysel, between the two small towns of Deventer and Zwolle, and so on the outskirts of the diocese of Utrecht, this movement soon spread, eastward to Westphalia, northward to Groningen and the Frisian country, westward to Holland proper. Fraterhouses were erected everywhere and monasteries of the Windesheim congregation were established or affiliated. The movement was spoken of as 'modern devotion', devotio moderna. It was rather a matter of sentiment and practice than of definite doctrine. The truly Catholic character of the movement had early been acknowledged by the church authorities. Sincerity and modesty, simplicity and industry, and, above all, constant ardour of religious emotion and thought, were its objects. Its energies were devoted to tending the sick and other works of charity, but especially to instruction and the art of writing. It is in this that it especially differed from the revival of the Franciscan and Dominican orders of about the same time, which turned to preaching. The Windesheimians and the Hieronymians (as the brethren of the Common Life were also called) exerted their crowning activities in the seclusion of the schoolroom and the silence of the writing cell. The schools of the brethren soon drew pupils from a wide area. In this way the foundations were laid, both here in the northern Netherlands and in lower Germany, for a generally diffused culture among the middle classes; a culture of a very narrow, strictly ecclesiastical nature, indeed, but which for that very reason was fit to permeate broad layers of the people.
What the Windesheimians themselves produced in the way of devotional literature is chiefly limited to edifying booklets and biographies of their own members; writings which were distinguished rather by their pious tenor and sincerity than by daring or novel thoughts.
But of them all, the greatest was that immortal work of Thomas à Kempis, Canon of Saint Agnietenberg, near Zwolle, the Imitatio Christi.
Foreigners visiting these regions north of the Scheldt and the Meuse laughed at the rude manners and the deep drinking of the inhabitants, but they also mentioned their sincere piety. These countries were already, what they have ever remained, somewhat contemplative and self-contained, better adapted for speculating on the world and for reproving it than for astonishing it with dazzling wit.
Rotterdam and Gouda, situated upward of twelve miles apart in the lowest region of Holland, an extremely watery region, were not among the first towns of the county. They were small country towns, ranking after Dordrecht, Haarlem, Leyden, and rapidly rising Amsterdam. They were not centres of culture. Erasmus was born at Rotterdam on 27 October, most probably in the year 1466. The illegitimacy of his birth has thrown a veil of mystery over his descent and kinship. It is possible that Erasmus himself learned the circumstances of his coming into the world only in his later years. Acutely sensitive to the taint in his origin, he did more to veil the secret than to reveal it. The picture which he painted of it in his ripe age was romantic and pathetic. He imagined that his father when a young man made love to a girl, a physician's daughter, in the hope of marrying her. The parents and brothers of the young fellow, indignant, tried to persuade him to take holy orders. The young man fled before the child was born. He went to Rome and made a living by copying. His relations sent him false tidings that his beloved had died; out of grief he became a priest and devoted himself to religion altogether. Returned to his native country he discovered the deceit. He abstained from all contact with her whom he now could no longer marry, but took great pains to give his son a liberal education. The mother continued to care for the child, till an early death took her from him. The father soon followed her to the grave. To Erasmus's recollection he was only twelve or thirteen years old when his mother died. It seems to be practically certain that her death did not occur before 1483, when, therefore, he was already seventeen years old. His sense of chronology was always remarkably ill developed.
Unfortunately it is beyond doubt that Erasmus himself knew, or had known, that not all particulars of this version were correct. In all probability his father was already a priest at the time of the relationship to which he owed his life; in any case it was not the impatience of a betrothed couple, but an irregular alliance of long standing, of which a brother, Peter, had been born three years before.