Why so? Because the mere task of putting real Greek into real Latin is such that it requires an extraordinary artist, and not only a man with a rich store of scholarship in both languages at his fingertips, but one exceedingly alert and observant; so that for several centuries now none has appeared whose efforts in this field were unanimously approved by scholars. It is surely easy then to conjecture what a heavy task it has proved to render verse in verse, particularly verse so varied and unfamiliar, and to do this from a writer not merely so remote in time, and withal a tragedian, but also marvellously concise, taut and unadorned, in whom there is nothing otiose, nothing which it would not be a crime to alter or remove; and besides, one who treats rhetorical topics so frequently and so acutely that he appears to be everywhere declaiming. Add to all this the choruses, which through I know not what striving after effect are so obscure that they need not so much a translator as an Oedipus or priest of Apollo to interpret them. In addition there is the corrupt state of the manuscripts, the dearth of copies, the absence of any translators to whom one can have recourse. So I am not so much surprised that even in this most prolific age none of the Italians has ventured to attempt the task of translating any tragedy or comedy, whereas many have set their hand to Homer (among these even Politian[38] failed to satisfy himself); one man[39] has essayed Hesiod, and that without much success; another[40] has attempted Theocritus, but with even far more unfortunate results: and finally Francesco Filelfo has translated the first scene of the Hecuba in one of his funeral orations.[41] (I first learned this after I had begun my version), but in such a way that, great as he is, his work gave me courage enough to proceed, overprecise as I am in other respects.
Then for me the lure of this poet's more than honeyed eloquence, which even his enemies allow him, proved stronger than the deterrent of these great examples and the many difficulties of the work, so that I have been bold to attack a task never before attempted, in the hope that, even if I failed, my honest readers would consider even this poor effort of mine not altogether unpraiseworthy, and the more grudging would at least be lenient to an inexperienced translator of a work so difficult: in particular because I have deliberately added no light burden to my other difficulties through my conscientiousness as a translator, in attempting so far as possible to reproduce the shape and as it were contours of the Greek verse, by striving to render line for line and almost word for word, and everywhere seeking with the utmost fidelity to convey to Latin ears the force and value of the sentence: whether it be that I do not altogether approve of the freedom in translation which Cicero allows others and practised himself (I would almost say to an immoderate degree), or that as an inexperienced translator I preferred to err on the side of seeming over-scrupulous rather than over-free—hesitating on the sandy shore instead of wrecking my ship and swimming in the midst of the billows; and I preferred to run the risk of letting scholars complain of lack of brilliance and poetic beauty in my work rather than of lack of fidelity to the original. Finally I did not want to set myself up as a paraphraser, thus securing myself that retreat which many use to cloak their ignorance, wrapping themselves like the cuttle-fish in darkness of their own making to avoid detection. Now, if readers do not find here the grandiloquence of Latin tragedy, 'the bombast and the words half a yard long,' as Horace calls it, they must not blame me if in performing my function of translator I have preferred to reproduce the concise simplicity and elegance of my original, and not the bombast to which he is a stranger, and which I do not greatly admire at any time.
Furthermore, I am encouraged to hope with all certainty that these labours of mine will be most excellently protected against the calumnies of the unjust, as their publication will be most welcome to the honest and just, if you, most excellent Father, have voted them your approval. For me it was not difficult to select you from the great host of illustrious and distinguished men to be the recipient of this product of my vigils, as the one man I have observed to be—aside from the brilliance of your fortune—so endowed, adorned and showered with learning, eloquence, good sense, piety, modesty, integrity, and lastly with an extraordinary liberality towards those who cultivate good letters, that the word Primate suits none better than yourself, who hold the first place not solely by reason of your official dignity, but far more because of all your virtues, while at the same time you are the principal ornament of the Court and the sole head of the ecclesiastical hierarchy. If I have the fortune to win for this my work the commendation of a man so highly commended I shall assuredly not repent of the exertions I have so far expended, and will be forward to promote theological studies with even more zeal for the future.
Farewell, and enrol Erasmus in the number of those who are wholeheartedly devoted to Your Fathership.
Plate XXVII. PORTRAIT MEDAL OF ERASMUS AT THE AGE OF 53
On the reverse his device and motto
Plate XXVIII. ERASMUS AT THE AGE OF ABOUT 57