[1432] Wood was conveyed in boats upon the Yonne so early as the year 1527. See Coquille in Histoire du Nivernois.

[1433] Traité de la Police, par De la Mare, iii. p. 839.—Savary, Dictionnaire de Commerce, art. Bois flotté and Train.

[1434] De Jure Maritimo, p. i. c. 10. n. 100.

[1435] H. Junii Batavia. Lugd. Bat. 1558, 4to, p. 327.—Hugo Grotius de Antiquitate Reipub. Batavicæ, cap. 4.—Délices de la Hollande. Amst. 1685, 12mo, p. 218: “Les Wassenaers tiennent leur origine d’une village qui est entre Leiden et la Haye, ou des droits qu’ils eurent les siecles passez sur les eaux, les estangs et les lacs de la Hollande.”—-Those who are fond of indulging in conjecture might form the following conclusion:—The lakes and streams belonged to the Wassenaers, who kept swans, geese and ducks upon them. When the brewers were desirous of clearing the water from the duck-weed, which in Fritsch’s German Dictionary is called Enten-grutz, in order that it might be fitter for use, they were obliged to pay a certain sum to obtain permission; and when the practice of floating timber began, the floats disturbed the ducks, and destroyed the plant on which they fed, and the proprietors of floats were on this account obliged to pay a certain tax also. But was it customary at that period to float timber in the Netherlands?

[1436] Glossarium Manuale, iii. p. 850: “Gruta, Grutt, Gruit, appellant tributum, quod pro cerevisia pensitatur.”


LACE.

Fifty years ago, when a knowledge of many useful and ingenious arts formed a part of the education given to young women destined for genteel life, one who should have supposed that any reader could be ignorant of the manner in which lace is made, would only have been laughed at; but as most of our young ladies at present employ the greater part of their time in reading romances or the trifles of the day, it is probable that many who have even had an opportunity of frequenting the company of the fair sex, may never have seen the method of working lace. For this reason, I hope I shall be permitted to say a few words in explanation of an art towards the history of which I mean to offer such information as I have been able to collect.

Proper lace or point was not wove. It had neither warp nor woof, but was rather knit after the manner of nets (filets) or of stockings. In the latter, however, one thread only is employed, from which the whole piece or article of dress is made; whereas lace is formed of as many threads as the pattern and breadth require, and in such a manner that it exhibits figures of all kinds. To weave, or, as it is called, knit lace, the pattern, stuck upon a slip of parchment, is fastened to the cushion of the knitting-box; the thread is wound upon the requisite number of spindles, which are called bobbins; and these are thrown over and under each other in various ways, so that the threads twine round pins stuck in the holes of the pattern, and by these means produce that multiplicity of eyes or openings which give to the lace the desired figures. For this operation much art is not necessary; and the invention of it is not so ingenious as that of weaving stockings. Knitting, however, is very tedious; and when the thread is fine and the pattern complex, it requires more patience than the modern refinement of manners has left to young ladies for works of this kind. Such labour, therefore, is consigned to the hands of indigent girls, who by their skill and dexterity raise the price of materials, originally of little value, higher when manufactured than has ever yet been possible by any art whatever. The price, however, becomes enormous when knit lace has been worked with the needle or embroidered: in French it is then called points.

The antiquity of this art I do not pretend to determine with much certainty; and I shall not be surprised if others by their observations trace it higher than I can. I remember no passage in the Greek or Latin authors that seems to allude to it; for those who ascribe works of this kind to the Romans found their opinion on the expression opus Phrygianum: but the art of the Phrygians[1437], as far as I have hitherto been able to learn, consisted only in needle-work: and those ingenious borders sewed upon clothes and tapestry, mention of which occurs in the ancients, cannot be called lace, as they have been by Braun[1438] and other writers. I am however firmly of opinion that lace worked by the needle is much older than that made by knitting. Lace of the former kind may be found among old church furniture, and in such abundance that it could have been the work only of nuns or ladies of fortune, who had little else to employ their time, and who imagined it would form an agreeable present to their Maker; for had it been manufactured as an article of commerce, we must certainly have found more information respecting it.