No. VII.
The original of this portrait is one who knows how to enjoy life like a wise man; if he is not nice in his pleasures, he, at least, does not carry them to excess. The cast of his mind presupposes gentleness, rather than harshness—dignity, rather than elevation—firmness of character, rather than violence of passion—transient irritation, rather than continued resentment. The eyebrow fully expresses the decree to which a choleric temperament prevails, and the eye is a compound of the melancholic and phlegmatic characters; the same mixture is again apparent in the contour of the face from the ear to the chin; but the whole profile, taken in connexion, exhibits a sanguine ground, relieved with a choleric tint. (Extract from Lavatory.)
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No. VIII.
Sternness is engraven upon these features; the wrinkles in the vicinity of the eyes, and, particularly, those at the root of the nose, the salient angle formed by the lower part of the cheeks near the mouth—all announce harshness and insensibility; the elevation of the chin designates a certain degree of energy, and the shape of the forehead denotes coolness and reflection, but it gives no indication of docility.
Melancholy evidently predominates in this physiognomy.