Ernst Naumann remarks, “Das Stück kann recht gut von Seb. Baoh herrühren.” The text is complete, and the omission of the Prelude from the Novello edition is to be regretted.
A transcription of the second Sonata for Solo Violin, in A minor, See B.G. XXVII. (1).
A transcription of the third Partita, in E major, for Solo Violin. See ibid.
From the third Sonata for Solo Violin, in C major. See ibid.
Both Sonatas are arrangements of instrumental Sonatas in J. A. Reinken's “Hortus Musicus.” See Spitta, i. 430.
Both Sonatas are arrangements of instrumental Sonatas in J. A. Reinken's “Hortus Musicus.” See Spitta, i. 430.
After a Sonata movement by J. A. Reinken.
After a Fugue by J. C. Erselius. The original is given in Anhang II. of the volume.
Only Nos. 1, 2, 4, 5, 7, 9, 14 are derived from Vivaldi. The others are founded on Benedetto Marcello (No. 3), Duke Johann Ernst of Weimar (Nos. 11, 16, and perhaps 13).
The Toccata is by Henry Purcell. See Grove, vol. iii. p. 857.