Cantata 53. No Autograph of this Cantata exists, and the copies from which the B.G. edition was printed are in the Amalienbibliothek.
On the contrary, the Cantata belongs to the Leipzig period, 1723-34.
None of the four “short” Masses is in five parts. All have instrumental accompaniments. The autograph scores of the Masses in A major and G major are in Messrs. Breitkopf and Haertel's possession. Copies of the other two scores, in Altnikol's handwriting, are in the Berlin Royal Library. See Introduction to B.G. VIII.
An eight-part Mass in G was performed at a Leipzig Gewandhaus Concert on March 7, 1805, and was published later in the year by Breitkopf and Haertel. The score is admittedly, for the greater part of the work, in Bach's hand and is in the Berlin Royal Library. The publication of the work was under consideration by the Bachgesellschaft in 1858. That it is not by Bach is generally held. It has been attributed to Johann Ludwig Bach (d. 1741). See Genealogical Table II.
The St. Matthew Passion.
A nom de plume for Christian Friedrich Henrici (1700-64), who wrote a large number of Bach's Leipzig texts.
Perhaps Forkel indicates the short Sanctus in Richter's edition of the Choralgesänge, No. 123, or that in B.G. XLI. p. 177.
This is the first Chorus of Cantata No. 38. It is printed as a separate Motet in Erk, No. 150.
Forkel's list is complete except for Lobet den Herrn, alle Heiden.
The opening Chorus of Cantata 144.