All men, more or less, have such a disposition, and seek to satisfy this noble want in various ways. But as the sublime is easily produced by twilight and night, when objects are blended, it is, on the other hand, scared away by the day, which separates and sunders every thing; and so must it also be destroyed by every increase of cultivation, if it be not fortunate enough to take refuge with the beautiful, and unite itself closely with it, whereby both become equally undying and indestructible.
The brief moments of such enjoyments were still more shortened by my meditative friend: but, when I turned back into the world, it was altogether in vain that I sought, among the bright and barren objects around, again to arouse such feelings within me; nay, I could scarcely retain even the remembrance of them. My heart, however, was too far spoiled to be able to compose itself: it had loved, and the object was snatched away from it; it had lived, and life to it was embittered. A friend who makes it too perceptible that he designs to improve you, excites no feeling of comfort; while a woman who is forming you, while she seems to spoil you, is adored as a heavenly, joy-bringing being. But that form in which the idea of beauty manifested itself to me had vanished into distance; it often visited me under the shade of my oak- trees, but I could not hold it fast: and I felt a powerful impulse to seek something similar in the distance.
I had imperceptibly accustomed, nay, compelled, my friend and overseer to leave me alone; for, even in my sacred grove, those undefined, gigantic feelings were not sufficient for me. The eye was, above all others, the organ by which I seized the world. I had, from childhood, lived among painters, and had accustomed myself to look at objects, as they did, with reference to art. Now I was left to myself and to solitude, this gift, half natural, half acquired, made its appearance. Wherever I looked, I saw a picture; and whatever struck me, whatever gave me delight, I wished to fix, and began, in the most awkward manner, to draw after nature. To this end I lacked nothing less than every thing; yet, though without any technical means, I obstinately persisted in trying to imitate the most magnificent things that offered themselves to my sight. Thus, to be sure, I acquired the faculty of paying a great attention to objects; but I only seized them as a whole, so far as they produced an effect: and, little as Nature had meant me for a descriptive poet, just as little would she grant me the capacity of a draughtsman for details. This, however, being the only way left me of uttering my thoughts, I stuck to it with so much stubbornness, nay, even with melancholy, that I always continued my labors the more zealously the less I saw they produced.
But I will not deny that there was a certain mixture of roguery; for I had remarked, that if I chose for an irksome study a half-shaded old trunk, to the hugely curved roots of which clung well-lit fern, combined with twinkling maiden-hair, my friend, who knew from experience that I should not be disengaged in less than an hour, commonly resolved to seek, with his books, some other pleasant little spot. Now nothing disturbed me in prosecuting my taste, which was so much the more active, as my paper was endeared to me by the circumstance that I had accustomed myself to see in it, not so much what stood upon it, as what I had been thinking of at any time and hour when I drew. Thus plants and flowers of the commonest kind may form a charming diary for us, because nothing that calls back the remembrance of a happy moment can be insignificant; and even now it would be hard for me to destroy as worthless many things of the kind that have remained to me from different epochs, because they transport me immediately to those times which I like to remember, although not without melancholy.
But, if such drawings may have had any thing of interest in themselves, they were indebted for this advantage to the sympathy and attention of my father. He, informed by my overseer that I had become gradually reconciled to my condition, and, in particular, had applied myself passionately to drawing from nature, was very well satisfied,—partly because he himself set a high value on drawing and painting, partly because gossip Seekatz had once said to him, that it was a pity I was not destined for a painter. But here again the peculiarities of father and son came into conflict: for it was almost impossible for me to make use of a good, white, perfectly clean sheet of paper; gray old leaves, even if scribbled over on one side already, charmed me most, just as if my awkwardness had feared the touchstone of a white ground. Nor were any of my drawings quite finished; and how should I have executed a whole, which indeed I saw with my eyes, but did not comprehend, and how an individual object, which I had neither skill nor patience to follow out? My father's mode of training me in this respect was really to be admired. He kindly asked for my attempts, and drew lines round every imperfect sketch. He wished, by this means, to compel me to completeness and fulness of detail. The irregular leaves he cut straight, and thus made the beginning of a collection, in which he wished, at some future time, to rejoice at the progress of his son. It was, therefore, by no means disagreeable to him when my wild, restless disposition sent me roving about the country: he rather seemed pleased when I brought back a parcel of drawings on which he could exercise his patience, and in some measure strengthen his hopes.
They no longer said that I might relapse into my former attachments and connections: they left me by degrees perfect liberty. By accidental inducements and in accidental society I undertook many journeys to the mountain-range, which, from my childhood, had stood so distant and solemn before me. Thus we visited Homburg, Kroneburg, ascended the Feldberg, from which the prospect invited us still farther and farther into the distance. Königstein, too, was not left unvisited; Wiesbaden, Schwalbach, with its environs, occupied us many days; we reached the Rhine, which, from the heights, we had seen winding along far off. Mentz astonished us, but could not chain a youthful mind which was running into the open country; we were delighted with the situation of Biberich; and, contented and happy, we resumed our journey home.
This whole tour, from which my father had promised himself many a drawing, might have been almost without fruit; for what taste, what talent, what experience, does it not require to seize an extensive landscape as a picture! I was again imperceptibly drawn into a narrow compass, from which I derived some profit; for I met no ruined castle, no piece of wall which pointed to antiquity, that I did not think an object worthy of my pencil, and imitate as well as I could. Even the stone of Drusus, on the ramparts of Mentz, I copied at some risk, and with inconveniences which every one must experience who wishes to carry home with him some pictorial reminiscences of his travels. Unfortunately I had again brought with me nothing but the most miserable common paper, and had clumsily crowded several objects into one sheet. But my paternal teacher was not perplexed at this: he cut the sheets apart; had the parts which belonged to each other put together by the bookbinder; surrounded the single leaves with lines; and thus actually compelled me to draw the outline of different mountains up to the margin, and to fill up the foreground with some weeds and stones.
If his faithful endeavors could not increase my talent, nevertheless this mark of his love of order had upon me a secret influence, which afterwards manifested itself vigorously in more ways than one.
From such rambling excursions, undertaken partly for pleasure, partly for art, and which could be performed in a short time, and often repeated, I was again drawn home, and that by a magnet which always acted upon me strongly: this was my sister. She, only a year younger than I, had lived the whole conscious period of my life with me, and was thus bound to me by the closest ties. To these natural causes was added a forcible motive, which proceeded from our domestic position: a father certainly affectionate and well-meaning, but grave, who, because he cherished within a very tender heart, externally, with incredible consistency, maintained a brazen sternness, that he might attain the end of giving his children the best education, and of building up, regulating, and preserving his well-founded house; a mother, on the other hand, as yet almost a child, who first grew up to consciousness with and in her two eldest children; these three, as they looked at the world with healthy eyes, capable of life, and desiring present enjoyment. This contradiction floating in the family increased with years. My father followed out his views unshaken and uninterrupted: the mother and children could not give up their feelings, their claims, their wishes.
Under these circumstances it was natural that brother and sister should attach themselves close to each other, and adhere to their mother, that they might singly snatch the pleasures forbidden as a whole. But since the hours of solitude and toil were very long compared with the moments of recreation and enjoyment, especially for my sister, who could never leave the house for so long a time as I could, the necessity she felt for entertaining herself with me was still sharpened by the sense of longing with which she accompanied me to a distance.