But neither to be told nor to be described is the glory of a night of the full moon such as we have enjoyed here, wandering through the streets and squares and on the quay, with its long promenade, and then backwards and forwards on the beach; one felt really possessed with the feeling of the infinity of space. So to dream is really worth all trouble.
Naples, March 5, 1787.
Naples-Filangieri.
I made to-day the acquaintance of an excellent individual, v and I must briefly give you a general description of him. It is the Chevalier Filangieri, famous for his work on legislation. He belongs to those noble young men who wish to promote the happiness and the moderate liberty of mankind. In his bearing you recognise at once the soldier, the chevalier, and the man of the world; but this appearance is softened by an expression of tender moral sensibility, which is diffused over his whole countenance, and shines forth most agreeably in his character and conversation; he is, moreover, heartily attached to his sovereign and country, even though he cannot approve of all that goes on. He is also oppressed with a fear of Joseph II. The idea of a despot, even though it only floats as a phantom in the air, excites the apprehensions of every noble-minded man. He spoke to me without reserve, of what Naples had to fear from him; but in particular he was delighted to speak of Montesquieu, Beccaria, and of some of his own writings—all in the same spirit of the best will, and of a heart full of youthful enthusiasm to do good. And yet he may one day be classed with the Thirty. He has also made me acquainted with an old writer, from whose inexhaustible depths these new Italian friends of legislation derive intense encouragement and edification. He is called Giambattista Vico, and is preferred even to Montesquieu. After a hasty perusal of his book, which was lent to me as a sacred deposit, I laid it down, saying to myself, Here are sybilline anticipations of good and right, which once must, or ought to be, realised, drawn apparently from a serious contemplation both of the past and of the present. It is well when a nation possesses such a forefather: the Germans will one day receive a similar codex from Hamann.
[5] Heliodorus, Bishop of Trieca, in Thessaly, in the fourth century, author of the "Œthiopics, or, the Amours of Theagenes and Chariclea," was, it is said, deprived of his bishopric for writing this work.—A. W. M.
Naples, March 6, 1787.
Most reluctantly, yet, for the sake of good-fellowship, Tischbein accompanied me to-day to Vesuvius. To him—the artist of form, who concerns himself with none but the most beautiful of human and animal shapes, and one also whose taste and judgment lead to humanise even the formless rock and landscape,—such a frightful and shapeless conglomeration of matter, which, moreover, is continually preying on itself, and proclaiming war against every idea of the beautiful, must have appeared utterly abominable.
We started in two caleches, as we did not trust ourselves to drive through the crowd and whirl of the city. The drivers kept up an incessant shouting at the top of their voice whenever donkeys with their loads of wood or rubbish, or rolling caleches met us, or else warning the porters with their burdens, or other pedestrians, whether children or old people to get out of the way. All the while, however, they drove at a sharp trot, without the least stop or check.