Girgenti, Wednesday, April 25, 1787.
With sun rise we took our way towards the plain, while at every step the surrounding scenery assumed a still more picturesque appearance. With the consciousness that it was for our advantage, the little man led us, without stopping, right across the rich vegetation over a thousand little spots, each of which might have furnished the locale for an idyllic scene. To this variety of scene the unevenness of the country greatly contributed, which undulated as it passed over hidden ruins, which probably were very quickly covered with fertile soil, as the ancient buildings consisted of a light muscheltufa. At last we arrived at the eastern end of the city, where are the ruins of the Temple of Juno, of which, every year must have accelerated the decay, as the air and weather are constantly fretting the soft stone of which it is built. To-day we only devoted a cursory examination to it, but Kniep has already chosen the points from which to sketch it to-morrow. The temple stands on a rock which is now much worn by the weather. From this point the city walls stretched in a straight line eastwards, to a bed of limestone, that rises perpendicular from the level strand, which the sea has abandoned, after having shaped these rocks and long washed the foot of them. Hewn partly out of the native rock, and partly built of it were the walls of ancient Agrigentum, from behind which towered a line of temples. No wonder, then, if from the sea the lower, middle, and upper tows, presented together a most striking aspect.
Sicily-Girgenti.
The Temple of Concord has withstood so many centuries; its light style of architecture closely approximates it to our present standard of the beautiful and tasteful; so that as compared with that of Pæstum, it is, as it were, the shape of a god to that of a gigantic figure. I will not give utterance to my regrets that the recent praiseworthy design of restoring this monument should have been so tastelessly carried out, that the gaps and defects are actually filled up with a dazzling white gypsum. In consequence this monument of ancient art stands before the eye, in a certain sense, dilapidated and disfigured. How easy it would have been to give the gypsum the same tint as the weather-eaten stone of the rest of the building? In truth, when one looks at the muschelkalk of which the walls and columns are composed, and sees how easily it crumbles away, one's only surprise is that they have lasted so long. But the builders reckoning on a posterity of similar religion to themselves, had taken precautions against it. One observes on the pillars the remains of a fine plaster, which would at once please the eye and ensure durability.
Our next halt was at the ruins of the Temple of Jupiter. Like the bones of a gigantic skeleton, they are scattered over a large space, having several small cottages interspersed among them, and being intersected by hedgerows, while amidst them plants are growing of different sizes.
From this pile of ruins all the carved stone has disappeared, except an enormous triglyph, and a part of a round pilaster of corresponding proportions. I attempted to span it with out-stretched arms, but could not reach round it. Of the fluting of the column, however, some idea may be formed from the fact that, standing in it as in a niche, I just filled it up and touched it on both sides with my shoulders. Two-and-twenty men arranged in a circle would give nearly the periphery of such a column. We went away with the disagreeable feeling that there was nothing here to tempt the draughtsman.
On the other hand, the Temple of Hercules still showed some traces of its former symmetry. The pillars of the peristyles, which ran along the temple on its upper and lower side, lie parallel, as if they had all fallen together, and at once, from north to south—the one row lying up the hill, the other down it. The hill may have possibly been formed by the ruined cells or shrines. The columns, held together in all probability by the architrave, fell all at once being suddenly thrown down, perhaps by a violent wind, and lie in regular order, only broken into the pieces of which they were originally composed. Kniep was already, in imagination, preparing his pencil for an accurate sketch of this singular phenomenon.
The Temple of Æsculapius, lying beneath the shade of a most beautiful carob-tree, and closely built upon by some mean farm-buildings, presented, to our minds, a most agreeable aspect.
Next we went down to Theron's tomb, and were delighted with the actual sight of this monument, of which we had seen so many models, especially as it served for the foreground of a most rare prospect; for from west to east we looked on the line of rocks on which lay the fragments of the walls, while through the gaps of the latter, and over them, the remains of the temples were visible.
This view has, under Hackert's skilful hand, furnished a most delightful picture. Kniep too, will not omit to make a sketch of it.