About the condition of German literature at that time so much has been written, and that so sufficiently, that every one who takes any interest in it can be completely informed; the judgments of it are now pretty well agreed; and what at present I intend to say piece-meal and disconnectedly concerning it, relates not so much to how it was constituted in itself, as to how it stood towards me. I will therefore first speak of those things by which the public is particularly excited; of those two hereditary foes of all comfortable life, and of all cheerful, self-sufficient, living poetry:—I mean, satire and criticism.
In quiet times every one will live after his own fashion; the citizen will carry on his trade or his business, and enjoy the fruits of it afterwards; thus will the author too willingly compose something, publish his labours, and since he thinks he has done something good and useful, hope for praise, if not reward. In this tranquillity the citizen is disturbed by the satirist, the author by the critic, and peaceful society is thus put into a disagreeable agitation.
The literary epoch in which I was born was developed out of the preceding one by opposition. Germany, so long inundated by foreign people, interpenetrated by other nations, directed to foreign languages in learned and diplomatic transactions, could not possibly cultivate her own. Together with so many new ideas, innumerable strange words were obtruded necessarily and unnecessarily upon her, and even for objects already known, people were induced to make use of foreign expressions and turns of language. The German, having run wild for nearly two hundred years in an unhappy tumultuary state, went to school to the French to learn manners, and to the Romans in order to express himself properly. But this was to be done in the mother-tongue, when the literal application of those idioms, and their half-Germanization, made both the social and business style ridiculous. Besides this, they adopted without moderation the similes of the southern languages, and employed them most extravagantly. Just so they transferred the stately deportment of the prince-like citizens of Rome to the learned German small-town officers, and were at home nowhere, least of all with themselves.
But as in this epoch works of genius had already appeared, the German sense of freedom and joy also began to stir itself. This, accompanied by a genuine earnestness, insisted that men should write purely and naturally, without the intermixture of foreign words, and as common intelligible sense dictated. By these praiseworthy endeavours, however, the doors and gates were thrown open to an extended national insipidity, nay, the dike was dug through by which the great deluge was shortly to rush in. Meanwhile, a stiff pedantry long stood its ground in all the four faculties, until at last, much later, it fled for refuge from one of them into another.
Men of parts, children of nature looking freely about them, had therefore two objects on which they could exercise themselves, against which they could labour, and, as the matter was of no great importance, give a vent to their petulance; these were: a language disfigured by foreign words, forms, and turns of speech on the one hand, and the worthlessness of such writings as had been careful to keep themselves free from those faults on the other, though it occurred to nobody, that while they were battling against one evil, the other was called on for assistance.
Liskow.
Liskow, a daring young man, first ventured to attack by name a shallow, silly writer, whose awkward demeanour soon gave him an opportunity to proceed still more severely. He then went further, and constantly aimed his scorn at particular persons and objects, whom he despised and sought to render despicable, nay, even persecuted them with passionate hatred. But his career was short; for he soon died, and was gradually forgotten as a restless, irregular youth. The talent and character shown in what he did, although he had accomplished little, may have seemed valuable to his countrymen: for the Germans have always shown a peculiar pious kindliness to talents of good promise, when prematurely cut off. Suffice it to say, that Liskow was very early praised and recommended to us as an excellent satirist, who could have attained a rank even above the universally-beloved Rabener. Here, indeed, we saw ourselves no better off than before: for we could discover nothing in his writings, except that he had found the silly, silly, which seemed to us quite a matter of course.
Rabener, well educated, grown up under good scholastic instruction, of a cheerful, and by no means passionate or malicious disposition, took up general satire. His censure of the so-called vices and follies springs from the clear views of a quiet common sense, and from a fixed moral conception of what the world ought to be. His denunciation of faults and failings is harmless and cheerful; and in order to excuse even the slight boldness of his writings, it is supposed that the improving of fools by ridicule is no fruitless undertaking.
Rabener's personal character will not easily appear again. As an able, punctual man of business, he does his duty, and thus gains the good opinion of his fellow-townsmen and the confidence of his superiors: along with which, he gives himself up to the enjoyment of a pleasant contempt for all that immediately surrounds him. Pedantic literati, vain youngsters, every sort of narrowness and conceit, he banters rather than satirizes, and even his banter expresses no contempt. Just in the same way does he jest about his own condition, his misfortune, his life, and his death.
There is little of the æsthetic in the manner in which this writer treats his subjects. In external forms he is indeed varied enough, but throughout he makes too much use of direct irony, namely, in praising the blameworthy and blaming the praiseworthy, whereas this figure of speech should be used but extremely seldom; for, in the long run, it becomes annoying to clear-sighted men, perplexes the weak, while indeed it pleases the great middle class, who, without any special expense of mind, can fancy themselves more knowing than others. But all that he brings before us, and however he does it, alike bears witness to his rectitude, cheerfulness, and equanimity, so that we always feel prepossessed in his favour. The unbounded applause of his own times was a consequence of such moral excellencies.