The company gave this apostrophe a kind reception; each being convinced that the censure conveyed in it could not apply to him, after acting a little while ago so excellently with the rest. On the other hand, it was agreed, that during this journey, and for the future if they remained together, they would regularly proceed with their training in the manner just adopted. Only it was thought, that, as this was a thing of good humor and free will, no formal manager must be allowed to have a hand in it. Taking it for an established fact, that, among good men, the republican form of government is the best, they declared that the post of manager should go round among them: he must be chosen by universal suffrage, and every time have a sort of little senate joined in authority along with him. So delighted did they feel with this idea, that they longed to put it instantly in practice.
"I have no objection," said Melina, "if you incline making such an experiment while we are travelling: I shall willingly suspend my own directorship until we reach some settled place." He was in hopes of saving cash by this arrangement, and of casting many small expenses on the shoulders of the little senate or of the interim manager. This fixed, they went very earnestly to counsel how the form of the new commonwealth might best be adjusted.
"'Tis an itinerating kingdom," said Laertes: "we shall at least have no quarrels about frontiers."
They directly proceeded to the business, and elected Wilhelm as their first manager. The senate also was appointed, the women having seat and vote in it: laws were propounded, were rejected, were agreed to. In such playing, the time passed on unnoticed; and, as our friends had spent it pleasantly, they also conceived that they had really been effecting something useful, and, by their new constitution, had been opening a new prospect for the stage of their native country.
CHAPTER III.
Seeing the company so favorably disposed, Wilhelm now hoped he might further have it in his power to converse with them on the poetic merit of the plays which might come before them. "It is not enough," said he next day, when they were all again assembled, "for the actor merely to glance over a dramatic work, to judge of it by his first impression, and thus, without investigation, to declare his satisfaction or dissatisfaction with it. Such things may be allowed in a spectator, whose purpose it is rather to be entertained and moved than formally to criticise. But the actor, on the other hand, should be prepared to give a reason for his praise or censure; and how shall he do this, if he have not taught himself to penetrate the sense, the views, and feelings of his author? A common error is, to form a judgment of a drama from a single part in it, and to look upon this part itself in an isolated point of view, not in its connection with the whole. I have noticed this within a few days, so clearly in my own conduct, that I will give you the account as an example, if you please to hear me patiently.
"You all know Shakspeare's incomparable 'Hamlet:' our public reading of it at the castle yielded every one of us the greatest satisfaction. On that occasion we proposed to act the play; and I, not knowing what I undertook, engaged to play the prince's part. This I conceived that I was studying, while I began to get by heart the strongest passages, the soliloquies, and those scenes in which force of soul, vehemence and elevation of feeling, have the freest scope; where the agitated heart is allowed to display itself with touching expressiveness.
"I further conceived that I was penetrating quite into the spirit of the character, while I endeavored, as it were, to take upon myself the load of deep melancholy under which my prototype was laboring, and in this humor to pursue him through the strange labyrinths of his caprices and his singularities. Thus learning, thus practising, I doubted not but I should by and by become one person with my hero.