CHAPTER XV.
Happy season of youth! Happy times of the first wish of love! A man is then like a child that can for hours delight itself with an echo, can support alone the charges of conversation, and be well contented with its entertainment if the unseen interlocutor will but repeat the concluding syllables of the words addressed to it.
So was it with Wilhelm in the earlier and still more in the later period of his passion for Mariana; he transferred the whole wealth of his own emotions to her, and looked upon himself as a beggar that lived upon her alms: and as a landscape is more delightful, nay, is delightful only, when it is enlightened by the sun; so likewise in his eyes were all things beautified and glorified which lay round her or related to her.
Often would he stand in the theatre behind the scenes, to which he had obtained the freedom of access from the manager. In such cases, it is true, the perspective magic was away; but the far mightier sorcery of love then first began to act. For hours he could stand by the sooty light-frame, inhaling the vapor of tallow lamps, looking out at his mistress; and when she returned, and cast a kindly glance upon him, he could feel himself lost in ecstasy: and, though close upon laths and bare spars, he seemed transported into paradise. The stuffed bunches of wool denominated lambs, the waterfalls of tin, the paper roses, and the one-sided huts of straw, awoke in him fair poetic visions of an old pastoral world. Nay, the very dancing-girls, ugly as they were when seen at hand, did not always inspire him with disgust: they trod the same floor with Mariana. So true is it, that love, which alone can give their full charm to rose-bowers, myrtle-groves, and moonshine, can also communicate, even to shavings of wood, and paper-clippings, the aspect of animated nature. It is so strong a spice, that tasteless or even nauseous soups are by it rendered palatable.
So potent a spice was certainly required to render tolerable, nay, at last agreeable, the state in which he usually found her chamber, not to say herself.
Brought up in a substantial burgher's house, cleanliness and order were the elements in which he breathed; and, inheriting as he did a portion of his father's taste for finery, it had always been his care, in boyhood, to furbish up his chamber, which he regarded as his little kingdom, in the stateliest fashion. His bed-curtains were drawn together in large, massy folds, and fastened with tassels, as they are usually seen in thrones; he had got himself a carpet for the middle of his chamber, and a finer one for his table; his books and apparatus he had, almost instinctively, arranged in such a manner, that a Dutch painter might have imitated them for groups in his still-life scenes. He had a white cap, which he wore straight up like a turban; and the sleeves of his night-gown he had caused to be cut short, in the mode of the Orientals. By way of reason for this, he pretended that long, wide sleeves encumbered him in writing. When, at night, the boy was quite alone, and no longer dreaded any interruption, he usually wore a silk sash tied round his body; and often, it is said, he would fix in his girdle a sword, which he had appropriated from an old armory, and thus repeat and declaim his tragic parts; nay, in the same trim he would kneel down and say his evening prayer.
In those times, how happy did he think the players, whom he saw possessed of so many splendid garments, trappings, and arms; and in the constant practice of a lofty demeanor, the spirit of which seemed to hold up a mirror of whatever, in the opinions, relations, and passions of men, was stateliest and most magnificent. Of a piece with this, thought Wilhelm, is also the player's domestic life,—a series of dignified transactions and employments, whereof their appearance on the stage is but the outmost portion; like as a mass of silver, long simmering about in the purifying furnace, at length gleams with a bright and beautiful tinge in the eye of the refiner, and shows him, at the same time, that the metal now is cleansed of all foreign mixture.
Great, accordingly, was his surprise at first, when he found himself beside his mistress, and looked down, through the cloud that environed him, on tables, stools, and floor. The wrecks of a transient, light, and false decoration lay, like the glittering coat of a skinned fish, dispersed in wild disorder. The implements of personal cleanliness,—combs, soap, towels,—with the traces of their use, were not concealed. Music, portions of plays and pairs of shoes, washes and Italian flowers, pin-cushions, hair-skewers, rouge-pots, and ribbons, books and straw hats,—no article despised the neighborhood of another: all were united by a common element,— powder and dust. Yet as Wilhelm scarcely noticed in her presence aught except herself; nay, as all that had belonged to her, that she had touched, was dear to him,—he came at last to feel, in this chaotic housekeeping, a charm which the proud pomp of his own habitation never had communicated. When, on this hand, he lifted aside her bodice, to get at the harpsichord; on that, threw her gown upon the bed, that he might find a seat; when she herself, with careless freedom, did not seek to hide from him many a natural office, which, out of respect for the presence of a second person, is usually concealed,—he felt as if by all this he was coming nearer to her every moment, as if the communion betwixt them was fastening by invisible ties.