"Dear me, 'Lizebeth, what queer thoughts you do have," said Marianne, quite frightened. "That is not true, no one has forbidden me anything. And the people are so good and not a bit proud, and so friendly, and so kind and humble."
"Catch your breath, Marianne," 'Lizebeth interrupted her; "with all your excitement you cannot prove that white is black, and when such people come along, no one knows whence, and take a living-room and a bedroom in such a hut, so hidden as yours is, Marianne, where they pay next to nothing, and the woman struts about in a silk skirt and her little son in velvet; then there is something behind it all, and if she has silk skirts then she must have other things too, and she must know why she hides all these things in a hut which really does not look larger than a large henhouse. I wanted only to warn you, Marianne; you surely will be the loser with such a crowd."
"'Lizebeth," Marianne said now more emphatically than she had ever been known to speak, "it would be well, if all people were as this woman is, and you and I could thank God if we were like her. I have never in this world seen a better and a more patient and a more amiable human being. And in regard to the silk skirt, please be still and do not talk about it, 'Lizebeth; many a thing looks different to what it really is, and it would be better for you, if you would not load your conscience with wrong against a suffering woman on whom God has His eye."
Marianne did not wish to tell what she knew, that the lady had only the one skirt and no other whatsoever, and so, of course, was obliged to wear it. She did not want to tell that to 'Lizebeth now she heard how the latter judged.
"I do not think of loading my conscience with anything," 'Lizebeth continued, "and that much is not as it looks, that I know; but when a little boy of whom no one knows from where he came, wears velvet pants on bright week-days and even a velvet jacket, then they are velvet pants and do not only look so, that is certain. There is something behind that and it will come out and it will not look the best. Yes indeed, wearing velvet pants, such a little tramp of whom no one knows from where he comes, yes indeed."
"Do not sin against the dear boy," Marianne said seriously. "Look at him and you will see that he looks like a little angel, and he is one."
"So, that too," 'Lizebeth continued, "and pray when did you see an angel, Marianne, that you know he looks just like them? I should like to know! But I have served over fifty years in a respectable house, and I have helped to bring up the old parson, and the present one and his two sons; but we have never known anything of velvet pants, no, never, and we were, I should think, different people from these. That is what I wanted to tell you, Marianne, and that is the main reason why I came to you, so that you should know what one is forced to think. And with regard to the angels, I can tell you that we have a little boy that looks exactly like the angels that blow the trumpets in the picture; such fat, firm, red cheeks has our Moritzli, like painted, and such round arms and legs."
"Yes, it is true, little Ritz was always a splendid little fellow, I should like to see him again," Marianne answered good-naturedly.
This reconciled 'Lizebeth a little; in a much friendlier tone she said: "Then come again to Upper Wood, you will have time, more than I. Then you can look at the other, too, and can see what a pretty, straight nose he has, that no angel could have a prettier one, and in the whole school he is by far the brightest,—that the teacher himself says of Eduardi."
'Lizebeth always called the boys by their full names, for the shortening of the names, Ritz and Edi, seemed to her a degrading of their names and an injustice to her favorites.