Egholm and his God

by Johannes Buchholtz

But, for all that, it might perhaps be reserved for himself, for Egholm the Dane, to show them how to make their turbine reverse.

He could think of more than one thing at a time. As long as he could cast out sufficient ballast, he could always find a new direction of the wind to carry his thought. Nearest earth was the current connected with his work, but even that was no less erratic than those of the higher strata.

Might as well try the new developer to-day, he thought to himself, and set out his dishes all ready. Then he went into the studio again, and began studying the recipes he had scrawled up from time to time on the plank wall of the dark-room. Already there were so many of them that the list reached to the floor. He had to go down on his knees to see if it said 25 gr. or 35 gr. Suddenly he forgot what he was there for, and remained lying prone, thinking only of his steam-turbine; it seemed to him the axle bearings ought to be made with a little more stability yet. The slightest oscillation, of course, would mean an escape of steam—waste of power. Then, becoming aware of his posture, he wondered how he had got there, but, finding himself on his knees, he at once, as a practical man, decided to utilise the opportunity, and started off on a long and earnest prayer to God for the furtherance of his idea. It was, indeed, not merely a point of honour with him that it should succeed, but also, he might as well confess, a hoped-for way out of his present difficulties.

The photography business had turned out a desperate failure—there was no denying it.

The only people who came at all were the peasants who came into town on Sundays. Of these, quite a good number patronised the studio, but, unfortunately, they did not always come for the photos they had ordered. They were not impressed by his skill when they found the studio situate in a woodshed at the back of Andreasen’s, with the camera perched on a cement barrel instead of a tripod.

The fine folk of the place, in accordance with an established tradition, always went over to the neighbouring town for their photographs. It didn’t seem to count, somehow, unless they did.

They were just as superficial in their judgment as the peasants, and paid more heed to a smart shop than to the artistic execution of the pictures.

Here Egholm laughed to himself. The photographs he turned out could hardly be included under the heading of art at all, and he knew it. But was there anything surprising in that? In the first place, how could anyone help becoming dulled by so much adversity, and in the second—oh, well, in the second place, why the devil should he put himself out for all and sundry, when it was only a question of time before he threw aside his mask and revealed himself as a world-renowned inventor?

Smilingly he set to rocking his plates in their bath, and as the work went on, he bored out, in his mind, the steam channels of his turbine, and decided on the cogwheel transference.