In addition to the pictures mentioned above, I may call attention to the adoring figure of S. Catherine of Siena, in three large paintings—now severally in the Pitti, at Lucca, and in the Louvre.
In the Uffizzi. As a composition, it is the Frate's masterpiece.
See Vol. I., Age of the Despots, p. 487, for this consequence of the sack of Prato.
L'Art Chrétien, vol. ii. p. 515.