[387]
"That beastly big ox, Bandinelli." Cf. cap. 70 for the critique. It may be said here, in passing, that the insult of Bandinelli, "Oh sta cheto, soddomitaccio," seems to have been justified by Benvenuto's conduct, though of course he carefully conceals it in his memoirs. After the charge brought against him by Cencio, for instance, he thought it better to leave Florence.—Ib. cap. 61, 62.
[388]
Edgar Quinet, Les Révolutions d'Italie, p. 358.
CHAPTER X--THE EPIGONI
Full Development and Decline of Painting—Exhaustion of the old Motives—Relation of Lionardo to his Pupils—His Legacy to the Lombard School—Bernardino Luini—Gaudenzio Ferrari—The Devotion of the Sacri Monti—The School of Raphael—Nothing left but Imitation—Unwholesome Influences of Rome—Giulio Romano—Michael Angelesque Mannerists—Misconception of Michael Angelo—Correggio founds no School—Parmigianino—Macchinisti—The Bolognese—After-growth of Art in Florence—Andrea del Sarto—His Followers—Pontormo—Bronzino—Revival of Painting in Siena—Sodoma—His Influence on Pacchia, Beccafumi, Peruzzi—Garofalo and Dosso Dossi at Ferrari—The Campi at Cremona—Brescia and Bergamo—The Decadence in the second half of the Sixteenth Century—The Counter-Reformation—Extinction of the Renaissance Impulse.