Matteo Civitale, Benedetto da Majano, Mino da Fiesole, Luca della Robbia, Donatello, Jacopo della Quercia, Lo Scalza, Omodeo, and the Sansovini, not to mention less illustrious sculptors, filled the churches of Italy with this elaborate stone-work. Among the bronze-founders it is enough to name Ghiberti, Antonio Filarete, Antonio Pollajuolo, Donatello and his pupil Bertoldo, Andrea Riccio, the master of the candelabrum in S. Antonio at Padua, Jacopo Sansovino, the master of the door of the sacristy in S. Mark's at Venice, Alessandro Leopardi, the master of the standard-pedestals of the Piazza of S. Mark's. I do not mean these lists to be in any sense exhaustive, but simply to remind the reader of the rare and many-sided men of genius who devoted their abilities to this kind of work. Some of their masterpieces will be noticed in detail in the chapter on Sculpture.
Especially his work at Monte Oliveto, near Siena, and in the church of Monte Oliveto at Naples. The Sala del Cambio at Perugia may also be cited as rich in tarsia-work designed by Perugino, while the church of S. Pietro de' Cassinensi outside the city is a museum of masterpieces executed by Fra Damiano da Bergamo and Stefano da Bergamo from designs of Raphael. Not less beautiful are the inlaid wood panels in the Palace of Urbino, by Maestro Giacomo of Florence.
The churches and palaces of Lombardy are peculiarly rich in this kind of decoration. The façade of the Oratory of S. Bernardino at Perugia, designed and executed by Agostino di Duccio, is a masterpiece of rare beauty in this style.