The same remark might be made about the Venetian Bonifazio. It is remarkable that the "Adoration of the Magi" was always a favourite subject with painters of this calibre.
I may refer to the picture of the hunters in the Taylor Gallery at Oxford, the "Vintage of Noah" at Pisa, the attendants of the Magi in the Riccardi Palace, and the Carola in the "Marriage of Jacob and Rachel" at Pisa.
"Stories of Isaac and Ishmael and of Jacob and Esau" at Pisa, and "Story of S. Augustine" at San Gemignano. Nothing can be prettier than the school children in the latter series. The group of the little boy, horsed upon a bigger boy's back for a whipping, is one of the most natural episodes in painting.