TRANSLATIONS IN VERSE BY AUTHOR.
Alamanni, Triumph of Death, iv. [395]
Aretino, Epitaph on, v. [423]
Aristotle, Lines on Virtue, iv. [62]
Bembo, De Galeso, ii. 483;
a Sonnet, v. [262]
Benivieni, Song of Divine Madness, i. [481], iv. [304];
Laud to Jesus, iv. [303];
Passage from an Elegy, [561]
Bernard, S., Stanzas from the Passion Hymn, iii. 17
Berni, Sonnet on Clement VII., v. [368];
Confession of Faith from the Rifacimento of Orlando Innamorato, [543-547]
Boiardo, Sleeping Rinaldo, iv. [471];
Apostrophe of Orlando, [473];
on Friendship, [474];
Discourse of Orlando with Agricane, [475-477];
on Chivalrous Indifference to Wealth, [477];
Rinaldo at Merlin's Well, [482-484];
Tale of Narcissus, [485-487]
Buonarroti, Madrigal on Florence, iii. 392;
Quatrain on La Notte, 394;
Twenty-three Sonnets, Appendix ii.;
Passage from an Elegy, iv. [561]
Campanella, Three Sonnets, v. [481-483]
Canto Carnascialesco, The Triumph of the Sieve, iv. [392]
Della Casa, Six Sonnets, v. [279]
Donati, Three Madrigals, iv. [531]
Folengo, Two Stanzas from the Orlandino, v. [320] note 2;
Berta's Prayer from ditto, [356];
Rainero's Discourse on Monks from ditto, [537-540];
Rainero's Confession of Faith from ditto, [541-543]
Folgore da San Gemignano, Ten Sonnets, iv. [526-530]
Guidiccioni, A Sonnet, v. [282]
Ibycus, On Peace, iv. [52]
Jacopone, Fra, Presepio, iv. [532-534];
Corrotto, [535-538];
Stanzas from the Hymn of Love, [539-542]
Machiavelli, Epigram on Soderini, i. [297]
Medici, Lorenzo de', Sonnet to Venus, iv. [373];
Sonnet to the Evening Star, [374];
Passages from Le Selve, [376-380];
Passage from Corinto, [377];
Song of Baccus and Ariadne, [390]
Molza, Five Stanzas from the Ninfa Tiberina, v. [231-233]
Poliziano, Pantheistic Hymn, ii. 24;
Ballata of Roses, iv. [378];
Golden Age, [408];
Chorus of Mænads, [414];
Passages from the Canzoni and Giostra, [420]
Popular Songs, Four, iv. [264-266]
Pulci, Character of Margutte, iv. [543], [549];
Discourses of Astarotte, [549-556];
Description of the Storm at Saragossa, [557];
Autobiographical Stanza, [558];
Death of Baldwin, [559]
Sacre Rappresentazioni, S. Uliva: Dirge for Narcissus, iv. [328];
May Song [329];
S. Maddalena: Christ's Sermon, [333-336]
Sannazzaro, Sonnet on Jealousy, v. [200];
Sestine from the Arcadia, [212]
Sappho, On Fame, ii. 41
Vinci, Lionardo da, Sonnet, iii. 314
Virgil, Stanza from the Hymn on, ii. 63
FOOTNOTES
[1] Students who care to trace the thoughts and characters of this great poem to their sources, should read Pio Rajna's exhaustive essay, Le Fonti dell'Orlando Furioso, Firenze, Sansoni, 1876. The details of the Orlando are here investigated and referred with scientific patience to Greek, Latin, French, Italian, and other originals. If anything, Signor Rajna may seem to have overstrained the point of critical sagacity. It is hardly probable that Ariosto, reader of few books as Virginio says he was, should have drawn on stores so multifarious of erudition.
[2] See Ugo Foscolo's essay on the Narrative and Romantic Poems of Italy in the Quarterly Review for April, 1819.
[3] Especially in Morgante and Margutte.
[4] See Capitolo iii.