To enumerate all the nobles of Spain, Italy and Germany, with the ambassadors from England, France, Scotland, Hungary, Bohemia and Portugal; who swelled the Imperial cortège; to describe the series of ceremonies by which Charles was first consecrated as a deacon, anointed, dressed and undressed, and finally conducted to the Pope for coronation; to narrate the breaking of the bridge at one point, and the squabbles between the Genoese and Sienese delegates for precedence, would be superfluously tedious. The day was well-nigh over when at length Charles received the Imperial insignia from the Pope's hands. Accipe gladium sanctum, Accipe virgam, Accipe pomum, Accipe signum gloriae! As Clement pronounced these sentences, he gave the sword, the scepter, the globe, and the diadem in succession to the Emperor, who knelt before him. Charles bent and kissed the Papal feet. He then rose and took his throne beside the Pope. It was placed two steps lower than that of Clement. The ceremony of coronation and enthronization being now complete, Charles was proclaimed: Romanorum Imperator semper augustus, mundi totius Dominus, universis Dominis, universis Principibus et Populis semper venerandus. When Mass was over, Pope and Emperor shook hands. At the church-door, Charles held Clement's stirrup, and when the Pope had mounted, he led his palfrey for some paces, in sign of filial submission.
The month of March was distinguished by the arrival of illustrious visitors. The Duchess of Savoy, with an escort of eighteen lovely maids of honor, made her pompous entry on the 4th, and took up her quarters in the Palazzo Pepoli. On the 6th came the Duke of Ferrara, for whom Charles had procured a safe-conduct from the Pope. During the Emperor's stay at Bologna, Alfonso d'Este had been assiduous in paying him and his Court small attentions, sending excellent provisions for the household and furnishing the royal table with game and every kind of delicacy. The settlement of his dispute with the Holy See was the only important business that remained to be transacted. Charles prevailed upon both Clement and Alfonso to state their cases in writing and to place them in the hands of jurisconsults, to report upon. There is little doubt that his own mind was already made up in favor of the duke; but he did not pass sentence until the following December, nor was the decision published before April in the year 1531. The substance of the final agreement was as follows. Modena, Reggio and Rubbiera were declared fiefs of the Empire, seeing that they had not been included in Pepin's gift of the Exarchate. Charles confirmed their investiture to Alfonso, in return for a considerable payment to the Imperial Chancery. He had previously conferred the town of Carpi, forfeited by Alberto Pio as a French adherent, on the Duke. Ferrara remained a fief of the Church, and Clement consented to acknowledge Alfonso's tenure, upon his disbursement of 100,000 ducats. This decision saved Modena to the bastard line of Este, when Pope Clement VIII. seized Ferrara as a lapsed fief in 1598. In the sixty-seven years which passed between the date of Charles's coronation and the extinction of the duchy, Ferrara enjoyed the fame of the most brilliant Court in Italy, and shone with the luster conferred on it by men like Tasso and Guarini.
The few weeks which now remained before Charles left Bologna were spent for the most part in jousts and tournaments, visits to churches, and social entertainments. Veronica Gambara threw her apartments open to the numerous men of letters who crowded from all parts of Italy to witness the ceremony, of Charles's coronation. This lady was widow to the late lord of Correggio, and one of the two most illustrious women of her time.[5] She dwelt with princely state in a palace of the Marsili; and here might be seen the poets Bembo, Mauro, and Molza in conversation with witty Berni, learned Vida, stately Trissino, and noble-hearted Marcantonio Flaminio. Paolo Giovio and Francesco Guicciardini, the chief historians of their time, were also to be found there, together with a host of literary and diplomatic worthies attached to the Courts of Urbino and Ferrara or attendant on the train of cardinals, who, like Ippolito de'Medici, made a display of culture. Meanwhile the Dowager-Marchioness of Mantua and the Duchess of Savoy entertained Italian and Spanish nobles with masqued balls and carnival processions in the Manzoli and Pepoli palaces. Frequent quarrels between hot-blooded youths of the rival nations added a spice of chivalrous romance to love-adventures in which the ladies of these Courts played a too conspicuous part. What still remained to Italy of Renaissance splendor, wit, and fashion, after the Sack of Rome and the prostration of her wealthiest cities, was concentrated in this sunset blaze of sumptuous festivity at Bologna. Nor were the arts without illustrious representatives. Francesco Mazzola, surnamed Il Parmigianino, before whose altar-piece in his Roman studio the rough soldiers of Bourbon's army were said to have lately knelt in adoration, commemorated the hero of the day by painting Charles attended by Fame who crowned his forehead, and an infant Hercules who handed him the globe. Titian, too, was there, and received the honor of several sittings from the Emperor. His life-sized portrait of Charles in full armor, seated on a white war-horse, has perished. But it gave such satisfaction at the moment that the fortunate master was created knight and count palatine, and appointed painter to the Emperor with a fixed pension. Titian also painted portraits of Antonio de Leyva and Alfonso d'Avalos, but whether upon this occasion or in 1532, when he was again summoned to the Imperial Court at Bologna, is not certain. From this assemblage of eminent personages we notice the absence of Pietro Aretino. He was at the moment out of favor with Clement VII. But independently of this obstacle, he may well have thought it imprudent to quit his Venetian retreat and expose himself to the resentment of so many princes whom he had alternately loaded with false praises and bemired with loathsome libels.
People observed that the Emperor in his excursions through the streets of Bologna usually wore the Spanish habit. He was dressed in black velvet, with black silk stockings, black shoes, and a black velvet cap adorned with black feathers. This somber costume received some relief from jewels used for buttons; and the collar of the Golden Fleece shone upon the monarch's breast. So slight a circumstance would scarcely deserve attention, were it not that in a short space of time it became the fashion throughout Italy to adopt the subdued tone of Spanish clothing. The upper classes consented to exchange the varied and brilliant dresses which gave gayety to the earlier Renaissance for the dismal severity conspicuous in Morone's masterpieces, in the magnificent gloom of the Genoese Brignoli, and in the portraits of Roman inquisitors. It is as though the whole race had put on mourning for its loss of liberty, its servitude to foreign tyrants and ecclesiastical hypocrites. Nor is it fanciful to detect a note of moral sadness and mental depression corresponding to these black garments in the faces of that later generation. How different is Tasso's melancholy grace from Ariosto's gentle joyousness; the dried-up precision of Baroccio's Francesco Maria della Rovere from the sanguine joviality of Titian's first duke of that name! One of the most acutely critical of contemporary poets felt the change which I have indicated, and ascribed it to the same cause. Campanella wrote as follows:
Black robes befit our age. Once they were white;
Next many-hued; now dark as Afric's Moor,
Night-black, infernal, traitorous, obscure,
Horrid with ignorance and sick with fright.
For very shame we shun all colors bright,
Who mourn our end—the tyrants we endure,
The chains, the noose, the lead, the snares, the lure—
Our dismal heroes, our souls sunk in night.
In the midst of this mirth-making there arrived on March 20 an embassy from England, announcing Henry VIII.'s resolve to divorce himself at any cost from Katharine of Aragon. This may well have recalled both Pope and Emperor to a sense of the gravity of European affairs. The schism of England was now imminent. Germany was distracted by Protestant revolution. The armies of Caesar were largely composed of mutinous Lutherans. Some of these soldiers had even dared to overthrow a colossal statue of Clement VII. and grind it into powder at Bologna; and this outrage, as it appears, went unpunished. The very troops employed in reducing rebellious Florence were commanded by a Lutheran general; and Clement began to fear that, after Charles's departure, the Prince of Orange might cross the Apennines and expose the Papal person to the insults of another captivity in Bologna. Nor were the gathering forces of revolutionary Protestants alone ominous. Though Soliman had been repulsed before Vienna, the Turks were still advancing on the eastern borders of the Empire. Their fleets swept the Levantine waters, while the pirate dynasties of Tunis and Algiers threatened the whole Mediterranean coast with ruin. Charles, still uncertain what part he should take in the disputes of Germany, left Bologna for the Tyrol on March 23. Clement, on the last day of the month, took his journey by Loreto to Rome.
It will be useful, at this point, to recapitulate the net results of Charles's administration of Italian affairs in 1530. The kingdom of the Two Sicilies, with the Island of Sardinia and the Duchy of Milan, became Spanish provinces, and were ruled henceforth by viceroys. The House of Este was confirmed in the Duchy of Ferrara, including Modena and Reggio. The Duchies of Savoy and Mantua and the Marquisate of Montferrat, which had espoused the Spanish cause, were undisturbed. Genoa and Siena, both of them avowed allies of Spain, the former under Spanish protection, the latter subject to Spanish coercion, remained with the name and empty privileges of republics. Venice had made her peace with Spain, and though she was still strong enough to pursue an independent policy, she showed as yet no inclination, and had, indeed, no power, to stir up enemies against the Spanish autocrat. The Duchy of Urbino, recog nized by Rome and subservient to Spanish influence, was permitted to exist. The Papacy once more assumed a haughty tone, relying on the firm alliance struck with Spain. This league, as years went by, was destined to grow still closer, still more fruitful of results.
Florence alone had been excepted from the articles of peace. It was still enduring the horrors of the memorable siege when Clement left Bologna at the end of May. The last hero of the republic, Francesco Ferrucci, fell fighting at Gavignana on August 2. Their general, Malatesta Baglioni, broke his faith with the citizens. Finally, on August 12, the town capitulated. Alessandro de'Medici, who had received the title of Duke of Florence from Charles at Bologna, took up his residence there in July, 1531, and held the State by help of Spanish mercenaries under the command of Alessandro Vitelli. When he was murdered by his cousin in 1537, Cosimo de'Medici, the scion of another branch of the ruling family, was appointed Duke. Charles V. recognized his title, and Cosimo soon showed that he was determined to be master in his own duchy. He crushed the exiled party of Filippo Strozzi, who attempted a revolution of the State, exterminated its leaders, and contrived to rid himself of the powerful adherents who had placed him on the throne. But he remained a subservient though not very willing ally of Spain; and when he expelled Alessandro Vitelli from the fortress that commanded Florence, he admitted a Spaniard, Don Juan de Luna, in his stead. During the petty wars of 1552-56 which Henri II. carried on with Charles V. in Italy, Siena attempted to shake off the yoke of a Spanish garrison established there in 1547 under the command of Don Hurtado de Mendoza. The citizens appealed to France, who sent them the great Marshal, Piero Strozzi, brother of Cosimo's vanquished enemy Filippo. Cosimo through these years supported the Spanish cause with troops and money, hoping to guide events in his own interest. At length, by the aid of Gian Giacomo Medici, sprung from an obscure Milanese family, who had been trained in the Spanish methods of warfare, he succeeded in subduing Siena. He now reaped the fruits of his Spanish policy. In 1557 Philip II. conceded the Sienese territory, reserving only its forts, to the Duke of Florence, who in 1569 obtained the title of Grand Duke of Tuscany from Pope Pius V. This title was confirmed by the Empire in 1575 to his son Francesco.
Thus the republics of Florence and Siena were extinguished. The Grand Duchy of Tuscany was created. It became an Italian power of the first magnitude, devoted to the absolutist principles of Spanish and Papal sovereignty. The further changes which took place in Italy after the year 1530, turned equally to the profit of Spain and Rome. These were principally the creation of the Duchy of Parma for the Farnesi (1545-1559), of which I shall have to speak in the next chapter; the resumption of Ferrara by the Papacy in 1597, which reduced the House of Este to the smaller fiefs of Modena and Reggio; the acquisition of Montferrat by Mantua in 1536; the cession of Saluzzo to Savoy in 1598, and the absorption of Urbino into the Papal domains in 1631.
It was hoped when Charles and Clement proclaimed the pacification of Italy at Bologna on the last day of 1529, that the peninsula would no longer be the theater of wars for supremacy between the French and Spaniards. This expectation proved delusive; for the struggle soon broke out again. The people, however, suffered less extensively than in former years; because the Spanish party, supported by Papal authority, was decidedly predominant. The Italian princes, whether they liked it or not, were compelled to follow in the main a Spanish policy. At length, in 1559, by the Peace of Cateau Cambresis signed between Henri II. and Philip II., the French claims were finally abandoned, and the Spanish hegemony was formally acknowledged. The later treaty of Vervins, in 1598, ceded Saluzzo to the Duchy of Savoy, and shut the gates of Italy to French interference.