Nor is the next a whit less in the vein of mad Jeronimo (p. 304):—
High up, high up, a house I'll rear,
High up, high up, on yonder height;
At every window set a snare,
With treason, to betray the night;
With treason, to betray the stars,
Since I'm betrayed by my false feres;
With treason, to betray the day,
Since Love betrayed me, well away!
The vengeance of an Italian reveals itself in the energetic song which I quote next (p. 303):—
I have a sword; 'twould cut a brazen bell,
Tough steel 'twould cut, if there were any need:
I've had it tempered in the streams of hell
By masters mighty in the mystic rede:
I've had it tempered by the light of stars;
Then let him come whose skin is stout as Mars;
I've had it tempered to a trenchant blade;
Then let him come who stole from me my maid.
*/
More mild, but brimful of the bitterness of a soul to whom the whole
world has become but ashes in the death of love, is the following
lament (p. 143):—
Call me the lovely Golden Locks no more,
But call me Sad Maid of the golden hair.
If there be wretched women, sure I think
I too may rank among the most forlorn.
I fling a palm into the sea; 'twill sink:
Others throw lead, and it is lightly borne.
What have I done, dear Lord, the world to cross?
Gold in my hand forthwith is turned to dross.
How have I made, dear Lord, dame Fortune wroth?
Gold in my hand forthwith is turned to froth.
What have I done, dear Lord, to fret the folk?
Gold in my hand forthwith is turned to smoke.
Here is pathos (p. 172):—
The wood-dove who hath lost her mate,
She lives a dolorous life, I ween;
She seeks a stream and bathes in it,
And drinks that water foul and green:
With other birds she will not mate,
Nor haunt, I wis, the flowery treen;
She bathes her wings and strikes her breast;
Her mate is lost: oh, sore unrest!
And here is fanciful despair (p. 168):—
I'll build a house of sobs and sighs,
With tears the lime I'll slack;
And there I'll dwell with weeping eyes
Until my love come back:
And there I'll stay with eyes that burn
Until I see my love return.
The house of love has been deserted, and the lover comes to moan beneath its silent eaves (p. 171):—