This phase of young life passes like so many others. How swiftly they pass! and must, since we have in ten years to rehearse all the parts for the next fifty. In due time my girl playmate and also the young woman were married, and meeting long afterward we found nothing in common, not even a memory. One had forgotten that we ever played together; the other laughed incredulously at the boyish attachment. At length I too forget these mere matrons; I remember only the little maid and the coquette of twenty-three.
As one climbs the sides of a mountain it lowers its crest, but the view becomes extended. The hills of Mendon diminished as often as I climbed other hills or succeeded in reaching the topmost spires of taller trees. They were no longer so lofty, so distant, so infatuating. The walls of my world were expanded on two sides, the south and the west. All unknown lands were on the north. China was there, which to me was a place where they did nothing but fly kites; so much I remembered from my geography book; there too was Boston, merely a place where we sold our huckleberries in summer. I had been as far as Mendon and found that the world did not end there, nor were there any hills even. They had moved themselves to the next horizon whitherto my fancies had flown. Disillusions increased with my height. A yardstick no longer measured to the top of my head; the score is now marked upon the jambs of the cellar door, and sometimes I cheat with yarn balls in the heels of my boots. I cannot grow fast enough to keep pace with my ambition. When I am larger, when I am a man, then I shall—could one but recover the predicate of those phrases! There is a cell in my brain as yet filled with nothing; but there is commotion, an eddy, like that of the vorticel which is drawing thither its destined deposits. The things that draw me are also themselves moving toward me. The cell is in time filled, emptied and filled again and again. Particles of this and that remain. Who can predict what will be the permanent deposit?
The Mendon hills and those, rising continually beyond, caused me many a heart break, many disillusions, journeyings, pathless and lampless, many apprenticeships to unprofitable masters. I explored the unknown because it was unknown and because I knew not what I wanted. There was disappointment wherever the pursuit ended. I would go on—never arriving. "Stay, thou art so fair", is not the wish of boys. The mountains were not so high, the ocean not so vast, the cities not so immense, no good so good as anticipated. My heart hungered for the impossible before it had attained the possible; for the fruitage of things before the plough and the hardened hand; in fine, before reckoning with those forces which determine the happiness and miseries of life. But there is compensation for every disappointment and mistaken dream of childhood and youth. I cherish them fondly as the early drama of my life, in which, now a spectator, I see the small actor performing his mimic part with mingled feelings of amusement, censure or sympathy. When the curtain rises I am once more on my own side of the Mendon hills; the walls of that first world enclose and protect me. Here I again recover my first sense of nature and the existence of other beings; here I discern the inward foreshadowings of what was to attract and mould me through life.
SHADOWS AND ECHOES
Two things in nature impressed me more than any others in my childhood. One was the apparent motion of the moon, when I tried to walk or run away from it. To see it keep an equal pace with me, moving when I moved, stopping when I stopped, sometimes vexed me and more often amused me. The heavens are young when we are, close and companionable; they come down to the earth not more than two miles from where we stand. I tried many experiments with the moon, when it was full, to see if I could not outrun the bright and tricksy traveller. My efforts were vain and only increased my wonder. I never spoke of it nor required an explanation from my elders. Children ask no questions regarding those simple operations of nature which they first observe. They remain deep in their silent consciousness. Such as they do ask are superficial, and are either a passing impulse of a dawning social nature or are inspired by parents and teachers. I have observed that when they ask these questions they care nothing and remember naught of the answers. What is deepest in them is growing in silence; it is not yet formed into conceptions, and has no language. The difference between the spoken questions of children and their impressions, as yet so undefined, is like that between pictures of the snapshot camera and the astronomer's plates which, for hours, gather and develop the figure of some distant, unseen star.
My other childish observation was of shadows, especially my own, cast upon the ground by a low afternoon sun. This never vexed or puzzled me as did the outfooting moon. An old play says that the shadows of things are better than the things themselves; and Pindar places man at two removes from them. But indeed shadows pleased me before I knew of the humiliating comparisons poets and prophets had made; and sometimes more than the real substances with which I was familiar—trees, brooks and pastures. In the shadow of myself were the flattering length and size which I coveted, the huge man; for I wished above all other things to become a man as fast as possible that I might do and have the things which men do and have. These as I remember were trousers, long-legged boots, two pieces of pie, to sit up in the evening and never to go to school again; for I was always driven to bed and went unwillingly to my books. Many were the subterfuges by which I escaped my lessons, a lost book or a headache; and how I rejoiced in the storms which made it impossible to send me the long mile through snow or rain. I remember only one evening when I was allowed to sit up as long as I wished, my parents, having gone to see a man hung in Dedham, one of the festive occasions in old Norfolk County, the boy was left in charge of a sister. I remember it chiefly because my sister read to me that evening John Gilpin's Ride. It was the first, and for a long time, the only poem in which I took any interest. Gilpin on his horse, his cloak and bottles twain visualized themselves before me so clearly that they still remain more vivid than what I read yesterday.
But my shadow, ah, that was quite enough to satisfy my most ardent longings. Moreover I seemed able to step on it, to lengthen or shorten it, to make it assume strange grotesque shapes; in a word I could play with it. This I could not do with such objects as trees, house, barn and fences; or rather there was no such response from them as from the shadow.
Echo was the only other direct responsive thing I found in nature as yet. Echo is the shadow of sound. Echo and shadow are brother and sister; irresponsible children of nature who love to sport and play pranks with matter and make men doubt their own senses. I knew several of the dwelling places of echo; one in chief was between a large barn and a deep wood, and others at different points on Beaver Pond. Never would they return the individual voice; all came reflected back as echo's own, neither mine nor that of my companions; only now louder or less, more distinct or faint. It had a lonely, plaintive, even melancholy tone, which the Greeks explained was in consequence of an unfortunate love affair with the beautiful Narcissus. It sulked, and hiding in a cave, never spoke again unless first spoken to. I could hardly believe that echo was not the voice of a human being. To satisfy myself I examined the barn and forest for some mocking man or boy. Was not this better than the explanations which never explain to children? And who can expound a shadow? When I once heard a minister exclaim that man is but a shadow I understood him literally and was glad in my little heart thinking only of its size and nimble movements.
Echo and shadow hint of other things in nature besides solid matter and that which can be appropriated by any machinery or resolved by any chemical yet discovered. These and sounds and perfumes also remind us that the world was made for admiration and amusement as well as for use. I believe that the Creator was thinking, when He planned it, as much of little boys and girls and poets as of the husbandman and craftsman. Echo loves to imitate our voice as much as we love to hear it; and shadows love to caricature our forms that we may laugh and even assist them; for if you stretch an arm between the sun and a snowbank shadow aids you with its comic pencil. It is no wonder the sad ghosts throw no shadow; there must be sunshine, life and joy or you cannot even living cast a pleasant one. I sometimes more admire the shadows in a painting than the figures or the scene. The imperfect landscape of the Greeks excused itself from observing none in the sacred enclosures of the temples of Zeus. The light must find no impediment in the unsubstantial matter of divine beings.