There were four alcoves or rooms leading off from the central hall of the pavilion, each about twelve feet square: one constituted the lobby: in the opposite alcove, I learnt afterwards, the Amîr’s couch is usually placed, and one led off from each side. The four rooms leading from the central hall were not separated by doors, and over each was a corresponding room upstairs, also looking into the central hall, but protected by a wooden railing. The rooms were lighted by windows opening into the garden; and the central hall by borrowed light from the rooms. The hall, though high and domed, was not more than about eighteen feet across, and against the four short walls that intervened between the rooms, were placed respectively a piano with a gold embroidered velvet cover; a carved wood cabinet; a marble table covered with brass candlesticks and ornamental lamps of different patterns, from England and Russia; and a dark carved wood escritoire with writing materials on it.
As I sat facing the Prince with my back to the entry, I saw hanging on the walls opposite me two framed chromo-lithographs—one representing the English House of Commons and the other the House of Lords. A year or two afterwards I became much better acquainted with this pavilion, for I had to live there while I was attending His Highness during a severe illness. The Amîr told me he designed it himself; I fancy he got the idea from one of the churches in Tashkend, of which I have seen a picture. It was small, he said, but was built as an experiment; he had endeavoured to make it earthquake proof by bracing it with iron bands. It cost him a great sum of money.
The Earthquake.
The Prince lit a cigarette, and just as he began smoking we heard a most curious noise. The lamps and vases rattled violently, and I saw the Prince’s face change. Pyne turned to me and said, “An earthquake!” The rattling and shaking increased, the doors swung open, and our chairs heaved. The Prince sat a moment while the noise and shaking grew more and more severe, then suddenly he rose and walked rapidly out into the gardens. The whole court, and we with them, followed hurriedly. All thought the Palace would fall. With one exception it was the most severe earthquake I ever experienced. The shock lasted four minutes, and travelled from east to west. We returned again to the pavilion for a short time, but presently were allowed to retire, so that the reception ended somewhat abruptly.
As we were coming out I found there were two other enclosures in the fort beside that containing the Amîr’s pavilion. Next to the Amîr’s garden was the large enclosure of the Harem serai. It is not etiquette to walk past the door of this if you can get to your destination any other way. I had to enter this enclosure once, but that I will speak of later.
Next to the Harem serai was a quadrangle containing the official quarters of the Princes. Each Prince has also an establishment in the city, where are his servants, and horses, and his harem. Besides these enclosures there is the Treasury, the Amîr’s private Stores containing valuables of all kinds, silks and diamonds, carpets, and wines: a row of cook houses or kitchens: quarters for the court officials and pages; and barracks for the garrison. The fort, though seemingly strong, and no doubt useful in case of a sudden riot, is completely under the control of the fort on the summit of the Asmai mountains.
CHAPTER IV.
Afghan Hospitals.
The first attendance at an Afghan Hospital. Its arrangement. The drugs and instruments. The Patients. An Interpreter presents himself. Dispensers. Marvellous recovery of the Page boy. Its effect. Buildings near the Hospital. The Durbar Hall and Guest House. The Sherpûr Military Hospital. Lord Roberts and the Sherpûr Cantonment. Adventure with an Afghan soldier. Arrangement of the In-patient Hospital. Diet of Patients. Attendance of Hakims. Storekeepers and their ways.
The Out-patient Hospital.