It was the Diva's long sleep. The last notes of her enchanting voice had died away; the curtain was down, the orchestra gone, the lights out. The audience had vanished. No more in the empty house would be heard the clapping of hands, the cries of enthusiasm, the bravos and encores.
But there are memories that never die. And now, to those who looked upon the tranquil face, it seemed as if memories of conquest and of triumph—or of something higher—still lingered in her heart. For the face was more than peaceful. There was a smile upon the lips that bore witness to a perfect contentment beyond the touch of death.
Cyrus was recalled to himself by the voice of the Mother Superior, a tall, gray-haired, kind-faced woman. She approached him, and in a voice of sympathy addressed him, in Italian. He understood the meaning of the message; that she shared his grief, but the presence of men was forbidden; the rules were strict, and she begged him to go. He expressed his gratitude by a respectful inclination and a few words in English. Then he walked over to the silent figure. Upon her folded hands he laid one of his own and stood, for a moment, looking down upon the face. The rosy light from the western sky seemed to bring the flush of life to the Diva's cheeks. He knelt beside the bench. Reverently he touched his lips to the sleeper's forehead.
He arose and moved toward the terrace. Near the window he stopped, and to the watching sisters he bowed. In this obeisance he told his sorrow and his profound respect. Then he turned and went out as he came.
The Mother Superior, still apprehensive, asked Ruth to accompany him to the gates and make sure of his departure. But Cyrus did not walk toward the gates. He walked toward the spot where he and Ruth had met, then beyond among the trees. During this walk neither spoke. As Cyrus was obviously in deepest sorrow Ruth refrained from words. Absorbed in her own thoughts, she suddenly realized that she was approaching an unfamiliar object. This unfamiliar object, a thing about twenty feet in length and a little taller than a man, might pass for some unknown monster of the deep, or a minor whale. It seemed to be of iron with a trap-door in the side just large enough for a man to climb within. Its color was a dull gray.
"Look!" she exclaimed. "What on earth is that?"
"My flying machine. That is what I came in."
"You came in that?"
As she looked up at him he nodded, slowly, and made no other reply. The light was fading, but she could see that a change had come into his face since they stood together at the garden wall. This new expression showed a side of his character that she had forgotten. She now remembered that it was the same look that had come into his face when he vanquished the Tormentor in the Unitarian Church, years ago; when the good natured, easy going boy became, of a sudden, a reckless gladiator, the fearless defender who fights—and dies, if needed—for a sacred cause; his God, his Country, or—on that occasion—for his girl. It told deep emotions, of strength of purpose and the courage that has no respect for obstacles. Yet the slumbrous eyes were friendly as he said: