And all that you must be.
We now hurried on, but as every finger-post had been painted white to receive the new letters, the old words beneath the paint were quite illegible, and, the road being lonely, of course we got lost, so, instead of arriving at Nuneaton, we found ourselves again at the Watling Street, at a higher point than that where we had left it when leaving Atherstone. Nearly opposite the lane end from which we now emerged there was a public-house, set back from the road, where a sign, suspended from a pole, swung alongside the Watling Street to attract the attention of travellers to the inn, and here we called to inquire our way to Nuneaton. The name of the house was the "Royal Red Gate Inn," the pole we had seen on the Watling Street holding a wooden gate painted red. We asked why the red gate was a royal one, and the landlady said it was because Queen Adelaide once called there, but who Queen Adelaide was, and when she called there, she did not know. When asked what she called for, she replied, "I don't know, unless it was for a drink!" As we did not know who Queen Adelaide was ourselves, we had to wait until we reached Nuneaton, where we were informed that she was the wife of William IV, and that in her retirement she lived at Sudbury Hall in Derbyshire, so this would be on her coach road to and from London. The lane at one end of the Red Gate went to Fenney Drayton, where George Fox the Quaker was born, about whom we had heard farther north; but we had to push on, and finally did reach Nuneaton for the night.
(Distance walked twenty-seven miles.)
Thursday, November 2nd.
In our early days we used to be told there was only one man in Manchester, which fact was true if we looked at the name; in the same way we were told there was but one nun in Nuneaton, but the ruins of the nunnery suggested that there must have been quite a number there in the past ages. We had seen many monasteries in our travels, but only one nunnery, and that was at York; so convent life did not seem to have been very popular in the North country, the chorus of a young lady's song of the period perhaps furnishing the reason why:
Then I won't be a Nun,
And I shan't be a Nun;
I'm so fond of pleasure
That I cannot be a Nun.
