A notice of this Jubilee may well close with an “Epigram on the P—— R——’s expressing a wish for the continuance of the Fair in Hyde Park.
“The R——, we have oft been told,
Prefers the Fair when stout and old;
Now, here we’ve cause to think him wrong,
For liking any Fair too long.”
CHAPTER IX.
Coronation of George IV.—Boat-racing on the Serpentine—Illumination of the Park—Fireworks—Coronation of Queen Victoria—Fair in the Park—Fireworks in Hyde Park, at “Peace rejoicing,” May, 1856.
The next jollification in Hyde Park was on July 19, 1821, at the Coronation of George the Magnificent. According to The Morning Chronicle of that date, “The preparations for the amusements of the populace are extensive. Boats were conveyed to the Serpentine River, and the arrangements for the fireworks and other diversions are on the most extensive and magnificent scale. It is expected that a sort of Coronation Fair will be established in Hyde Park, and that oxen and sheep will be roasted whole. Many hogsheads of Ale and Porter have been transported thither for distribution.”
In the next day’s number the same journal gives the following description:—
“On the slight view we had on Tuesday evening of the preparations making in Hyde Park, we had no conception they were of such an extensive nature as we found them to be yesterday. The machinery erected for letting the fireworks off was on a larger scale than any thing of that kind which has hitherto been produced in this country; the number of rockets for explosion exceeded 3000. The workmen were most actively employed during the day, to complete the work within the railing. It was placed on a piece of ground on a height on the north side of the Serpentine River, and the view from the river, on the south side of it, only prevented by the scattered trees on the bank of the river, and they were illuminated with Chinese lamps nearly to Hyde Park Corner. On the right and left of the enclosure were the designs for the fireworks, and, in the centre, were several marquees scattered, to about the number of 30, which had the appearance of a camp. The back of the enclosure was completed by transparencies; the centre one was Neptune on his car, drawn by sea-horses, followed by the usual group of figures. Above that, in another transparency, was the figure of Britannia, with an olive-leaf in her hand.