The Regent and the Duke of York were tied together by strong bonds of fraternal feeling, and the first important act of the Regent was to re-appoint his brother to his old position on the 25th of May. This naturally created great dissatisfaction, for his former resignation only saved the Duke from the ignominy of being cashiered, and Viscount Milton moved in the House of Commons on the 6th of June: "That upon a deliberate consideration of the recent circumstances under which his Royal Highness the Duke of York retired from the Command of the Army in March, 1809, it appears to this House that it has been highly improper and indecorous in the advisers of the Prince Regent to have recommended to his Royal Highness the re-appointment of the Duke of York to the Office of Commander-in-Chief." It is astonishing how the opinion of the House of Commons varied during two years, for this motion, when put, was only supported by 47 members—against 296.
But although he obtained the post, he had to run the gauntlet of public opinion, and which way that went is shown by the accompanying Satirical print, "The Soldier's Welcome Home!!!" where the Duke of York amid the Cheers of his friends, Buckingham, Temple, and Grenville, is leaping into the portals of the Horse Guards, the Regent standing just inside to welcome him. A figure, I presume meant to be John Walter, is pointing to The Times Newspaper. There were several others, but this is best suited to this book.
THE SOLDIER'S WELCOME HOME!!!
(Published June 4, 1811, by W. Holland.)
The next event of public note, and next to the appointment of the Prince of Wales to the Regency, it was the principal topic of conversation of the year, was a grand fête given to upwards of 2,000 of the Nobility and gentry, including the French Royal Family, the foreign Ambassadors, &c.—at an estimated cost of £15,000. For fully six weeks previously all the available weavers, tailors, mantua-makers, and milliners, were put under requisition for it, and ample work was found for architects, upholsterers, painters, carpenters, cooks, and confectioners, and diamonds were borrowed for the night at 11 per cent.
This wonderful fête took place on the 19th of June, and the company began to arrive between 9 and 10 o'clock. The whole of Carlton House, even down to the basements, which were utilized as supper rooms, was thrown open to the guests, but failed to afford sufficient accommodation, so a large portion of the garden was canvassed over and used for supper. It is impossible, in the limits of this book, to describe the luxury with which this palace was furnished, but I must be excused, as Carlton House has long been numbered with the things of the past, if I revive the description of the Throne and Ball Rooms, simply that my readers may form some idea of the splendour in which "the first gentleman in Europe" lived.
The first was hung with crimson velvet, with embroidered ornaments in pure gold, and most massive gold fringes and laces. The Canopy, superbly carved and gilt, was surmounted by four helmets of real gold, having plumes of the finest white ostrich feathers, many of them 17 inches in height. On each side the Canopy, were magnificent antique draperies; decorated to correspond with it, and forming back-grounds to two superb candelabra, after the antique, executed in the finest manner, with lions couchant, and other appropriate ornaments. Under the Canopy stood a grand state chair and foot-stool. The compartments of the room were decorated with the richest gold ornaments on a crimson velvet ground, with draperies enriched with gold fringes, en suite. There were two superb glasses about twelve feet high, with oriental alabaster tables, on frames, carved and gilt, in the most magnificent style. On a chimney, decorated with or-molu foliage of the richest sculpture, was placed a large glass in a superb frame; and on the chimney-piece and tables, were fine French girandoles of or-molu. In this room were no other seats than stools gilt and covered with crimson velvet. Here were whole length portraits in grand gold frames, of their Majesties, the Prince Regent, and the Duke of York. Through a door at one end of this room, a temporary staircase presented itself to view, which communicated with the Conservatory; this erection was intended as a private passage for the Prince Regent and his particular friends to pass down to the head of the tables, when supper was announced. Opposite the above door, a door leading to the Throne room being removed, and a large glass being placed in the opposite door, on the further side beyond the Throne, the whole range of Candelabra, and the throne itself were reflected in it; and a striking coup d'œil was thereby produced.
The Ball room was decorated with Arabesque ornament, and figures, painted in the finest style imaginable, on gold grounds, in panels, between pilasters richly carved and gilt; the ceiling was decorated in compartments. The windows and recesses have circular tops, and they were decorated with rich blue velvet draperies, with massive gold fringes, lace, tassels, and ropes—the latter were likewise of gold. In the recesses were magnificent French plates of looking-glass, in gold frames, having sofas under them, richly carved and covered with blue velvet; the chairs to suit. Before each pilaster was placed a rich gilt pedestal, on which was a superb French girandole, carrying eight wax-lights, executed in or-molu. The two chimney-pieces of Statuary marble, were ornamented with foliage and figures in bronze and or-molu, and, over them, were glasses in gold frames, and French Candelabra, worthy of the tout ensemble.