No. 1 was the only theatre with stalls, which, together with the boxes, were mostly rented for the season. Pit, 8s. 6d. Commence at 8.
No. 2. Commence at 7. Boxes, 7s.; pit, 3s. 6d.; lower gallery, 2s.; upper gallery, 1s. Half-price at 9.
No. 3. Same as Drury Lane.
No. 4. Commence at 7. Boxes, 5s.; pit, 3s.; lower gallery, 2s.; upper gallery, 1s. Half-price, none; but, as an equivalent, the performances were seldom over before 1.
No. 5. No account of prices. Not always open.
No. 6. Commence, 6.45. Boxes, 4s.; pit, 2s.; gallery, 1s. Half-price, 8.30.
| No. 7. | Commence, 7. | Prices same as Adelphi. | Half-price, 8.30. |
| No. 8. | Commence, 6.30. | " | " |
| No. 9. | " | " | " |
| No. 11. | " | " | " |
| No. 14. | " | " | " |
Vauxhall was open for singing and for dancing, for those who could never hope for entrance into Almacks; and, for those who liked Tom and Jerryism, there were many places which were open all night. But, during the day, for serious people and families there were many attractions. One of them, the bazaar, is practically dead. There were the Soho Bazaar, and the Queen's Bazaar, in Oxford Street, opposite the Pantheon, in which was exhibited the "Royal Clarence Vase," which was made of cut coloured glass, in 2400 pieces, so joined as to be water-tight. It weighed eight tons, its height, including the pedestal, was fourteen feet, and the inner diameter of the bowl was twelve feet. The Pantheon, now the offices of Messrs. W. & A. Gilbey, was opened in May, 1834. It was one of the largest bazaars, with counters for 250 standings for the sale of fancy articles, millinery, jewellery, etc., and there were many rooms devoted to the reception of paintings and statuary. There was the King Street Bazaar, Baker Street, and something like the bazaars were the Western Exchange, between Burlington Arcade and Old Bond Street, and the Burlington and Lowther Arcades.
The Thames Tunnel, though far from complete, was open to the public on payment of a shilling, which sum would also admit to the Exhibition of the Royal Academy at Somerset House. Where the Empire Music Hall, in Leicester Square, now stands, was Miss Linwood's Exhibition of Needlework-pictures, mostly copies from old masters, done in coloured wools. There were the Malediction of Cain, David with his sling, Reynolds's Laughing and Sleeping Girls, Jephtha's Vow, etc., etc.—and very beautiful they were. Entrance, two shillings. In Leicester Square, too, was Burford's Panorama, in which, in April, 1832, were exhibited panoramas of Bombay and Florence. In May, same year, at the Queen's Bazaar, was the Physiorama and the Diorama, with eighteen views altogether, among which were Bristol on fire, Melrose Abbey by moonlight, Joshua commanding the sun to stand still, and the Coronation in Westminster Abbey. At the Colosseum in Regent's Park, finished in 1827 and demolished in 1874, was the famous Panorama of London, which covered nearly an acre of canvas, painted, under the superintendence of Mr. Parris, from sketches made by Mr. Horner in 1821, from St. Paul's, at the time when repairs were going on above the dome of the cathedral. The visitor was raised to the level of the panorama by means of a lift, which in those days was considered a wonder. To see this cost one shilling, whilst for another you might see the Conservatories, Marine Cavern, Swiss Cottage, Waterfall, Alpine scenery, etc. This year, too, there was another panorama at Burford's, a view of Milan, and, during the reign, there were several others, as well as changes at the Diorama.
At the lower end of St. Martin's Lane was the pavilion of the gigantic whale, which was found dead, floating off the coast of Belgium, on November 3, 1827. The skeleton, which was exhibited, was ninety-five feet long, and eighteen broad, and the prices to view were a shilling each person, and "for those who sit in the belly of the whale two shillings." In Bond Street the curious might visit the "Papyro Museum," which was a collection of many groups of miniature figures moulded in paper, and habited and coloured to the life. They were modelled by two ladies, sisters, and took four years to execute. It was not successful, and its fate is described in the following quaint advertisement. Times, September 15, 1832—