The remarks following refer to those above them, and to the great body of the people, when at spectacles and public resorts.

To me, unaccustomed to it, the presence of women everywhere perplexed and surprised. In days of sports, eating, drinking beer, gin, and other drinks, romping of the sexes, and an incessant restlessness, are very noticeable. In the open grounds, all kinds of sports and games are going on; women and men dance, whirl about upon seats, rush after and chase each other, swing in swings, all in a wild revelry! There will be games where the woman is now pursued, and now the man; and now shouting, screaming, giggling, struggling and kissing, men and women rush after each other, catch each other; and then, reforming in ranks, go through the same wild pranks again.

The chief out-door sports are horse-racing, boat-racing, hunting upon horseback, bats and balls, foot-races, and the like. In-door: the theatres, the dancing-halls, the circus, and a great variety of shows and spectacles. Women attend upon all, and take a part in all—or nearly all. In the theatre, the circus, the dances, and many other places and things, they take the most conspicuous parts.

Horse-racing is esteemed as the greatest of all spectacles; and ranks as worthy of a national support. The Highest-Castes—even the Sovereign—attend. The Law-making Houses, the Great Officers of Administration, and the High-Bonzes, leave the duties of their exalted rank, and postpone the making and ordering of the Laws, to attend the Races. The Illustrious wives, daughters, and female relatives—even royalty—hasten to them, and esteem them as the best of all sports.

Every Caste—thieves, beggars, jugglers, the very scum of the cities; loafers, vagrants—rich, poor; men, women, children—every description of person, rush or crawl to the Races. Every sort of vehicle, every mode of conveyance is used: on horseback, on foot; in any way, the enormous multitudes crowd to the Races—it is the English Saturnalia (as an ancient Roman festival, noted for its licentiousness, was called)—I have heard the word punned [jo-akd] Satan-ail'ye, by jesters—meaning the Devil is in it. Not a bad notion, having reference to the evil effects of the sport.

On both sides of the space where the horses are to run, immense numbers of carriages of all descriptions, booths, stands and seats, are arranged, where the vast crowds stand, or sit, pushing, elbowing; whilst the horses are trotted out, and the race is duly prepared. At length, a great many horses, ridden by little men, looking like Apes, rush off at a signal; spurred, whipped, urged by the riders into madness, with eyes bloodshot, and nostrils distended, and every cord and muscle starting out and straining—whilst the multitudes of men and women stand up, shouting, leaping, screaming with excitement—sweep like a whirlwind along the course, and pass the goal! And thousands of gold are lost and won! By as little as a head, or a neck, one of the horses is declared to be winner! The name of the horse is sent all over the Barbarian world, and the event is watched for by millions—because bets are made, not only upon the ground, but in every part.

I can hardly explain to the people of our Central Kingdom, the excitement and the confusion of this scene. The most illustrious men and women are present; the great Bonzes are there—all classes, the lowest and highest, jumbled together, if not in contact, all carried away by the same wild passion. About the splendid equipages of the rich, mere human vermin crawl and fight for the crumbs and bones which fall, or are thrown from the feasting women and men, carousing in the carriages. In these, beautiful women laugh and bet with the men, drink the wines, and exchange a hundred smiles and jokes. Betting books are opened, and the women take bets and plunge into the vortex of the phrensy. The race is over, and thousands are impoverished, many utterly ruined.

With us the Theatre is merely a public, out-door spectacle, of no importance, amusing the ordinary crowd, and free from immorality. Women take no part in the representations—boys, dressed as females, playing for women. But with the Barbarians the Theatre is an organisation of government, and receives the highest support. Women act, and are more popular with the spectators than the men.

The first in estimation is the Opera. In this representation, as I have said in another place, the action goes on, all in Singing. To me nothing could be more ludicrous, more in defiance of all reason and nature. The most terrible emotions—fear, hate, envy, as well as the tender; love, affection, friendship—all sung, and not merely sung, but bellowed, screamed, shrieked, in every contortion of throat and mouth!