Round the Block: An American Novel

by John Bell Bouton

"I give you my word," said Marcus. He wondered where Tiffles raised the money to pay the artist, but did not like to ask him.

"Now I have caught you, you must come and see how we get along. The work is going on at my room in the Bartholomew Buildings, only a few steps from here." (According to Tiffles, the Bartholomew Buildings were only a few steps from anywhere, when he wanted to take anybody to them.) "Patching will object to bringing in a stranger; but I can pass you off as a capitalist, who thinks of taking an interest in the panorama. Good joke, that!"

Marcus drew back a little at the joke; but Wesley Tiffles had proved so great a relief to his low spirits, that he determined to keep on taking him, and expressed his ardent desire to see the panorama.

The couple, arm in arm, sauntered into Broadway, and down that thoroughfare. Tiffles nodded to a great many acquaintances, and Wilkeson to a very few. People whom Tiffles did not know personally, he had short biographies of, and he entertained Marcus with an incessant string of anecdotes and memoranda of passers by. The walk was leisurely and uninterrupted, with two exceptions, when Wesley Tiffles broke suddenly from his companion, rushed into the entry of a photographic establishment, and examined numerous square feet of show portraits with profound interest. Marcus explained these impulsive movements on the supposition that Tiffles sought to escape from approaching duns. He noticed that that individual, while observing people who streamed by him on either side, kept one eye, as it were, about a block and a half ahead. In some parts of the world, Marcus might have objected to walking publicly with a man of such an eccentric demeanor. But he was well aware that, in New York, a citizen's reputation is not in the least degree affected by the company that he keeps.

They soon arrived at the Bartholomew Buildings--a rickety five-story edifice, which had been altered from a hotel to a nest of private offices. The basement was a restaurant, the first floor a dry goods store, and thence to the roof there was a small Babel of trades and professions known and unknown. No census taker had ever booked all the businesses and all the names under that comprehensive roof.

In the upper story of this building, at the end of a long, hall, the floor of which was hollowed in places by the feet of half a century, was the room, or office, as he called it, of Mr. Wesley Tiffles. There was no number, or sign, on the door, but only a card bearing the inscription, in a bold hand, "Back in five minutes." Mr. Tiffles always put out this standing announcement whenever he had occasion to absent himself from his office for an indefinite period. At the top of the door there was a swinging window, which was ever close fastened, and covered with four thicknesses of newspapers. Though door and window were shut, there came from this room, as if through pores of the wood and the glass, a strong odor of tobacco smoke. A voice within could be heard softly humming an operatic air.

Wesley Tiffles opened the door with a latch key, saying, "All right!" in a loud voice, as he did so. Marcus entered with him into a blue cloud of smoke heated to a sickly degree by a small coal stove with a prodigious quantity of pipe. Even Marcus's hardened lungs found it difficult to breathe.

The room was about twenty feet square. It had been a part of the laundry when the building was a hotel. The walls, from the floor to the low ceiling, appeared to be hung with a strange, dim tapestry. A second glance convinced Marcus Wilkeson that this seeming tapestry was the panorama, which was fastened on stretchers along three sides of the room, and rolled up in a corner as fast as completed. At the farther end of the room, barely visible through the smoke, was the figure of a man in a torn and dirty dressing gown, and an enormous black felt hat with a huge turn-up brim, of the kind supposed to be worn by the bandits of the Pyrenees. The back of the man was turned to Marcus Wilkeson, and he was making rapid dabs on the canvas with a long brush, frequently dipping into one of a series of pails or pans which stood on the floor by his side. He was smoking and humming the operatic air at the same time; and he pulled his great slouched hat farther over his eyes, as a signal for impertinent curiosity to keep its distance.

Wesley Tiffles whispered something about the eccentricities of genius, and then said:

"Mr. Patching. Allow me. Mr. Wilkeson. A capitalist, who thinks of taking a small interest in the panorama. Confidential, of course."